Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Reorienting Ozu

View through CrossRef
Reorienting Ozu: A Master and His Influence offers new perspectives on Ozu Yasujiro and his influence on global art cinema directors. Ozu has been admired both by film scholars and filmmakers around the globe, having been at the center of significant scholarly debates, and being considered by many as a precursor of an aesthetic legacy and sensibility explored in the global art scene. By situating Ozu within the proper historical and discursive contexts, and thereby breaking with essentialist, traditionalist, and formalist readings of him, this volume helps to initiate a new theorizing and historical understanding of Ozu as a director who had to negotiate with production and socio-historical circumstances of Japan. Further explored in the volume is his relationship with his successors, who are inspired by and pay homage to Ozu, including Hou Hsiao-hsien, Suo Masayuki, Iguchi Nami, Claire Denis, Wim Wenders, Kore-eda Hirokazu, Jim Jarmusch, Aki Kaurismäki, and Abbas Kiarostami.
Oxford University Press
Title: Reorienting Ozu
Description:
Reorienting Ozu: A Master and His Influence offers new perspectives on Ozu Yasujiro and his influence on global art cinema directors.
Ozu has been admired both by film scholars and filmmakers around the globe, having been at the center of significant scholarly debates, and being considered by many as a precursor of an aesthetic legacy and sensibility explored in the global art scene.
By situating Ozu within the proper historical and discursive contexts, and thereby breaking with essentialist, traditionalist, and formalist readings of him, this volume helps to initiate a new theorizing and historical understanding of Ozu as a director who had to negotiate with production and socio-historical circumstances of Japan.
Further explored in the volume is his relationship with his successors, who are inspired by and pay homage to Ozu, including Hou Hsiao-hsien, Suo Masayuki, Iguchi Nami, Claire Denis, Wim Wenders, Kore-eda Hirokazu, Jim Jarmusch, Aki Kaurismäki, and Abbas Kiarostami.

Related Results

Yasujiro Ozu
Yasujiro Ozu
Yasujiro Ozu (b. 12 December 1903–d. 12 December 1963) was a Japanese film director. Growing up as a film fan in the modernizing city of Tokyo, Ozu made his directorial debut at Sh...
La casa japonesa a través del cine de Yasujiro Ozu
La casa japonesa a través del cine de Yasujiro Ozu
Through the films of Yashijuro Ozu, this thesis studies the Japanese house as a support for a way of living. The Japanese understanding of space, ma, includes the creation of an am...
Wartime Ozu: Between Bourgeois Drama and National Policy Film
Wartime Ozu: Between Bourgeois Drama and National Policy Film
This chapter deals with Ozu’s wartime works from the perspective of their continuing inquiry into the everyday as well as their relation to his postwar films so that they can be re...
The Cinema of Ozu Yasujiro
The Cinema of Ozu Yasujiro
Bringing three key issues - Ozu, everyday life and the modern Japanese history - into a unified discussion, The Cinema of Ozu Yasujiro re-ex...
Lacan à l'épreuve du cinéma de Yasujiro Ozu : du vide, du regard : la dimension de l'autre
Lacan à l'épreuve du cinéma de Yasujiro Ozu : du vide, du regard : la dimension de l'autre
Le cinéma de Yasujiro Ozu se caractérise entre autres par la divergence des commentaires à son égard. Pour certains critiques, son esthétique « typiquement japonaise » évoquerait l...
Ozu in Transition: The Coming of Sound and Family Melodrama
Ozu in Transition: The Coming of Sound and Family Melodrama
This chapter deals with the period of the mid-1930s, when Ozu had to face new challenges from the pressure of commercialism to the coming of sound technology. The main question add...
Postwar Ozu: Ozu’s Occupation-era Film and Tokyo Regained
Postwar Ozu: Ozu’s Occupation-era Film and Tokyo Regained
This chapter examines the postwar’s impact on Ozu and his films of the late 1940s and early 50s, which include his representative works such as Late Spring (1949), Early Summer (19...
Ozu en 2.5D
Ozu en 2.5D
« Les films d’Ozu sont comparables à une eau limpide et profonde, parfaitement tranquille » (Maurice Pinguet). La simplicité des images d’Ozu est toute apparente. C’est dans la tra...

Back to Top