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The “Other” Persians of Theodoros Terzopoulos
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This article focuses on the 2006 interpretation of Aescylus’ Persians by the Greek theatre director Theodoros Terzopoulos. Through his systematic method, Ter- zopoulos incorporates actions and traditions into his productions, drawing from rituals, practices, and ceremonies from the East. Terzopoulos’ rendition of the historical play Per- sae, which examines the reception of the news about the Persians’ defeat by the Greeks in the “other” Persia, correlates “otherness” with universality. By employing a Greek and Turkish cast as well as rituals from “other” cultures, the director makes a claim that human attitudes and reactions are universally shared among all human beings.
Universitatea Nationala de Arta Teatrala si Cinematografica Il. Caragiale
Title: The “Other” Persians of Theodoros Terzopoulos
Description:
This article focuses on the 2006 interpretation of Aescylus’ Persians by the Greek theatre director Theodoros Terzopoulos.
Through his systematic method, Ter- zopoulos incorporates actions and traditions into his productions, drawing from rituals, practices, and ceremonies from the East.
Terzopoulos’ rendition of the historical play Per- sae, which examines the reception of the news about the Persians’ defeat by the Greeks in the “other” Persia, correlates “otherness” with universality.
By employing a Greek and Turkish cast as well as rituals from “other” cultures, the director makes a claim that human attitudes and reactions are universally shared among all human beings.
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