Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Interlude

View through CrossRef
The Interlude at the beginning of Part III functions like a prologue to the chapters that follow. It serves to describe the conditions under which the author conducted fieldwork among the Ranchis (Adivasi migrants from the Chotanagpur region). The Interlude presents a narrative summary of the events of two days in 2011. This vignette seeks to introduce firstly, the ambiguous dynamics of postcolonial statehood that shaped the author’s and his interlocutors’ perception of the ‘everyday state’. Secondly, the Interlude illustrates that the fieldworker’s ‘gaze’ of ‘the field’ may be understood as evolving out of a dialectical process between preconditioned knowledge, subjective experiences of the Other, and the interpretations of events brought forward by ‘friends’ who collaborate in the research.
Title: Interlude
Description:
The Interlude at the beginning of Part III functions like a prologue to the chapters that follow.
It serves to describe the conditions under which the author conducted fieldwork among the Ranchis (Adivasi migrants from the Chotanagpur region).
The Interlude presents a narrative summary of the events of two days in 2011.
This vignette seeks to introduce firstly, the ambiguous dynamics of postcolonial statehood that shaped the author’s and his interlocutors’ perception of the ‘everyday state’.
Secondly, the Interlude illustrates that the fieldworker’s ‘gaze’ of ‘the field’ may be understood as evolving out of a dialectical process between preconditioned knowledge, subjective experiences of the Other, and the interpretations of events brought forward by ‘friends’ who collaborate in the research.

Related Results

Interlude
Interlude
This interlude serves as a transition from the busy urban Chennai of the previous chapters to the rural quiet of Mātāpuram, a small village in inland Sivagangai District. It also m...
Dibdin and John Raphael Smith
Dibdin and John Raphael Smith
This interlude builds on insights into the relationship between song and visual culture by discussing in detail the relationship between Charles Dibdin and the artists George Morla...
Interlude
Interlude
In this space between the Poetics of Subjectivity and the Poetics of Language, we want to pause briefly to consider several otherwise unrelated poets who, for a portion of their ca...
Dibdin and Robert Bloomfield
Dibdin and Robert Bloomfield
This interlude situates Dibdin in a milieu that may surprise us today, but that was a key comparison to many contemporaries: that is, alongside rural labouring-class poets, with pa...
Interlude
Interlude
Sara Cushing...

Back to Top