Interlude

The Interlude at the beginning of Part III functions like a prologue to the chapters that follow. It serves to describe the conditions under which the author conducted fieldwork am...

IN 1844, SØREN KIERKEGAARD published a deeply serious book called Philosophical Fragments. After the fourth of five chapters, we find an “interlude” fully a chapter’s length (1985,...

This interlude serves as a transition from the busy urban Chennai of the previous chapters to the rural quiet of Mātāpuram, a small village in inland Sivagangai District. It also m...

This interlude builds on insights into the relationship between song and visual culture by discussing in detail the relationship between Charles Dibdin and the artists George Morla...

In this space between the Poetics of Subjectivity and the Poetics of Language, we want to pause briefly to consider several otherwise unrelated poets who, for a portion of their ca...

This interlude situates Dibdin in a milieu that may surprise us today, but that was a key comparison to many contemporaries: that is, alongside rural labouring-class poets, with pa...