Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Miyazawa Kenji: The Poet as Asura?

View through CrossRef
Do they still require schoolchildren to memorize Miyazawa Kenji's poem Ame ni mo makezu? I ask my young friend Donald Howard who is teaching English in Iwate, where his wife Saori is from. Donald and Saori had also visited the Miyazawa Memorial Museum for me a few years earlier, when they still lived in New York, and brought back a CD of Kenji's musical compositions orchestrated and sung. After checking with a couple of teachers, Donald responds: Yes, they do.I asked because, though I myself do not remember ever being required to memorize the poem in school during the 1950s, I've learned the requirement was in force in some places, at various times. And if it still is, it must be in Iwate, I thought, where Kenji was born, in 1896, grew up, spent most of his life, and died, in 1933. I learned, years ago, its extracurricular popularity, as it were: it appears on all sorts of souvenirs – towels, mugs, fans, etc. – made and sold in Iwate, especially in Hanamaki, Kenji's birthplace. It is also, I learned, the most revered poem in twentieth-century Japan.
Cambridge University Press (CUP)
Title: Miyazawa Kenji: The Poet as Asura?
Description:
Do they still require schoolchildren to memorize Miyazawa Kenji's poem Ame ni mo makezu? I ask my young friend Donald Howard who is teaching English in Iwate, where his wife Saori is from.
Donald and Saori had also visited the Miyazawa Memorial Museum for me a few years earlier, when they still lived in New York, and brought back a CD of Kenji's musical compositions orchestrated and sung.
After checking with a couple of teachers, Donald responds: Yes, they do.
I asked because, though I myself do not remember ever being required to memorize the poem in school during the 1950s, I've learned the requirement was in force in some places, at various times.
And if it still is, it must be in Iwate, I thought, where Kenji was born, in 1896, grew up, spent most of his life, and died, in 1933.
I learned, years ago, its extracurricular popularity, as it were: it appears on all sorts of souvenirs – towels, mugs, fans, etc.
– made and sold in Iwate, especially in Hanamaki, Kenji's birthplace.
It is also, I learned, the most revered poem in twentieth-century Japan.

Related Results

Book Review
Book Review
Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems. Cuttack: Vishvanatha Kaviraj Institute, 2020, ISBN: 978-81-943450-3-9, Paperback, pp. viii + 152. Like his earli...
Indra's Net: The Spiritual Universe of Miyazawa Kenji
Indra's Net: The Spiritual Universe of Miyazawa Kenji
Miyazawa Kenji (1896-1933) was a multi-talented educator, poet and author of the Taisho era. In his introduction, Roger Pulvers describes him as “a dilettante typical” of his time,...
Kajian Ekokritik Sastra: Representasi Lingkungan dan Alam dalam 50 Cerpen Tani Karya E. Rokajat Asura dkk.
Kajian Ekokritik Sastra: Representasi Lingkungan dan Alam dalam 50 Cerpen Tani Karya E. Rokajat Asura dkk.
Ekokritik atau kritik lingkungan adalah perlakuan terhadap alam dengan adil dan hormat. Ekokritik melihat hubungan antara sastra dengan lingkungan fisik yang timbul akibat krisis l...
Indra's Net: The Spiritual Universe of Miyazawa Kenji
Indra's Net: The Spiritual Universe of Miyazawa Kenji
Miyazawa Kenji must certainly be the world's only author who described himself as a single illumination of light. The actual lines—the very first in his “Preface to Spring and Ashu...
Black Wax(ing): On Gil Scott-Heron and the Walking Interlude
Black Wax(ing): On Gil Scott-Heron and the Walking Interlude
The film opens in an unidentified wax museum. The camera pans from right to left, zooming in on key Black historical figures who have been memorialized in wax. W.E.B. Du Bois, Mari...
Tales of Endings and Beginnings: Cycles of Violence as a Leitmotif in the Narrative Structure of the Bhadrakāḷīmāhātmya
Tales of Endings and Beginnings: Cycles of Violence as a Leitmotif in the Narrative Structure of the Bhadrakāḷīmāhātmya
The asura’s demise at the hands of the goddess is a theme frequently revisited in Hindu myth. It is the chronicle of a death foretold. So too is the Bhadrakāḷīmāhātmya, a sixteenth...
ASPEK SOSIAL DAN NILAI SOSIOLOGIS YANG TERDAPAT PADA CERPEN “MATSURI NO BAN” KARYA KENJI MIYAZAWA
ASPEK SOSIAL DAN NILAI SOSIOLOGIS YANG TERDAPAT PADA CERPEN “MATSURI NO BAN” KARYA KENJI MIYAZAWA
Penelitian ini berisi informasi mengenai aspek sosial dan nilai sosiologis yang terdapat pada karya sastra “Matsuri no Ban” karya Kenji Miyazawa, khususnya membahas bentuk penindas...
O RESTAURANTE DOS INÚMEROS PEDIDOS, DE MIYAZAWA KENJI (TRADUÇÃO)
O RESTAURANTE DOS INÚMEROS PEDIDOS, DE MIYAZAWA KENJI (TRADUÇÃO)
Em 1924, Miyazawa Kenji publicava sua primeira coleção de histórias infantis, recebendo como título principal o nome de um dos contos ali presentes: Chûmon no ôi ryôriten [O Restau...

Back to Top