Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Judith and Holofernes: Reconstructing the History of a Painting Attributed to Artemisia Gentileschi

View through CrossRef
Recently, a new painting attributed to Artemisia Gentileschi was found in Ferrara, representing Judith exposing the head of Holofernes. Some analyses have been required to verify the history of this canvas, because another known painting is very similar to this one with the exception of the heads of Judith and Holofernes. This last has been attributed to the father of Artemisia, Orazio Gentileschi. Many diagnostics were performed, starting from imaging techniques: from raking light, to UV fluorescence and X-ray radiography. All of them highlighted peculiarities concerning above all the head of the main female protagonist. The results suggest that the face of Judith was subjected to various reworks in the same artistic period because of the original materials still present. This is the reason for the peculiar fragility and, due to this, the restoration of the 20th Century focused on Judith’s face. However, in this contribution, we want to highlight the results obtained with XRF spot analysis. Indeed, the artistic palette and the restoration materials have been characterized. For example, reds are in cinnabar, while Judith’s lips have been restored with cadmium red. The more interesting results regard the use of umber earths. In the painting, this iron-based pigment, rich in manganese, was revealed several times, and the correlation between Fe and Mn was easily verified. More than one correlation has been found due to the use of this pigment to darken the hues.
Title: Judith and Holofernes: Reconstructing the History of a Painting Attributed to Artemisia Gentileschi
Description:
Recently, a new painting attributed to Artemisia Gentileschi was found in Ferrara, representing Judith exposing the head of Holofernes.
Some analyses have been required to verify the history of this canvas, because another known painting is very similar to this one with the exception of the heads of Judith and Holofernes.
This last has been attributed to the father of Artemisia, Orazio Gentileschi.
Many diagnostics were performed, starting from imaging techniques: from raking light, to UV fluorescence and X-ray radiography.
All of them highlighted peculiarities concerning above all the head of the main female protagonist.
The results suggest that the face of Judith was subjected to various reworks in the same artistic period because of the original materials still present.
This is the reason for the peculiar fragility and, due to this, the restoration of the 20th Century focused on Judith’s face.
However, in this contribution, we want to highlight the results obtained with XRF spot analysis.
Indeed, the artistic palette and the restoration materials have been characterized.
For example, reds are in cinnabar, while Judith’s lips have been restored with cadmium red.
The more interesting results regard the use of umber earths.
In the painting, this iron-based pigment, rich in manganese, was revealed several times, and the correlation between Fe and Mn was easily verified.
More than one correlation has been found due to the use of this pigment to darken the hues.

Related Results

Artemisia Gentileschi in Venice: Facts and Suppositions
Artemisia Gentileschi in Venice: Facts and Suppositions
In the last twenty years our knowledge of the life and work of Artemisia Gentileschi (1593-ca. 1654), the most celebrated woman painter of the seventeenth century, has been conside...
‘Judith’: The Homily and the Poem
‘Judith’: The Homily and the Poem
Recent interpretations of the Old English poem Judith have discussed it either in the light of the interpretations suggested by Ælfric, or in terms of widely known patristic treatm...
A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation
A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation
Watercolor painting is a western painting method, which is concerned with the relationships of light and shadow as well as brightness and darkness. Chinese painting includes brush ...
Microdiagnostic characteristics of the herb Artemisia austriaca Jacq. (Artemisia austriaca Jacq.)
Microdiagnostic characteristics of the herb Artemisia austriaca Jacq. (Artemisia austriaca Jacq.)
Introduction. Artemisia austriaca Jacq. is a perennial herbaceous plant of the Asteraceae family, popular in folk medicine due to its various biological activities, in particular: ...
Pharmacological and Biological Activities of Artemisia persica: A Review
Pharmacological and Biological Activities of Artemisia persica: A Review
Artemisia is a beneficial plant genus from the Asteraceae family with about 500 species. Species of this genus are resistant herbs and shrubs, and its essential oil is renowned for...
Dopo Artemisia: scrittrici e artiste nel secondo Novecento italiano
Dopo Artemisia: scrittrici e artiste nel secondo Novecento italiano
L’articolo affronta l’eredità di Artemisia (1947), capolavoro di Anna Banti, nel panorama del romanzo dell’artista del secondo Novecento italiano, tenendo in considerazione in part...
Book of Judith
Book of Judith
Judith is one of the books of the Apocrypha, the Jewish texts that were included in the Catholic and Orthodox Old Testaments (including Armenian, Syrian, and Ethiopian Orthodox Bib...
De Artemisa a Artemisia. Representaciones de la amazona poderosa
De Artemisa a Artemisia. Representaciones de la amazona poderosa
En las siguientes páginas se explora la representación de la mujer fuerte en el arte, quien, con actitud agresiva y armada, no duda en enfrentarse al hombre. Para establecer unos l...

Back to Top