Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Is Kai Nielsen becoming a Wittgensteinian fideist?

View through CrossRef
In his recourse to a later Wittgensteinian or postmodern social focus, Kai Nielsen relinquishes the analytic argument he once took to be supportive of his naturalistic outlook. This shift raises the question of how he can continue to demand rationality of theistic visions that he no longer expects for his own naturalistic outlook. Rather than a rational naturalism and a fideistic theism, what seems to be involved are two coherent visions that are seen to be rational by different people. If the visions are this basic and comprehensive, however, what we come to ultimately, it would seem, is a basic faith, fideism. This is not the arbitrary fideism that Nielsen dismissed as Wittgensteinian fideism; it is a fideism that defines what it is to be rational, but it does this for Nielsen's naturalism as well as for religious visions. In this way, Nielsen's recourse to the social in the wake of the failure of positivism exposes his own fideistic base.
Title: Is Kai Nielsen becoming a Wittgensteinian fideist?
Description:
In his recourse to a later Wittgensteinian or postmodern social focus, Kai Nielsen relinquishes the analytic argument he once took to be supportive of his naturalistic outlook.
This shift raises the question of how he can continue to demand rationality of theistic visions that he no longer expects for his own naturalistic outlook.
Rather than a rational naturalism and a fideistic theism, what seems to be involved are two coherent visions that are seen to be rational by different people.
If the visions are this basic and comprehensive, however, what we come to ultimately, it would seem, is a basic faith, fideism.
This is not the arbitrary fideism that Nielsen dismissed as Wittgensteinian fideism; it is a fideism that defines what it is to be rational, but it does this for Nielsen's naturalism as well as for religious visions.
In this way, Nielsen's recourse to the social in the wake of the failure of positivism exposes his own fideistic base.

Related Results

Kong Kai Bertangga Nada Selendro: Kajian Organologi Kong Kai Pada Masyarakat Helong Di Pulau Semau
Kong Kai Bertangga Nada Selendro: Kajian Organologi Kong Kai Pada Masyarakat Helong Di Pulau Semau
The purpose of this study was to examine the structure of Kong Kai's music in the Helong community on Semau Island.  This research focuses on Kong Kai sounds that have not been mad...
Wittgensteinian Epistemology, Epistemic Vertigo, and Pyrrhonian Skepticism
Wittgensteinian Epistemology, Epistemic Vertigo, and Pyrrhonian Skepticism
AbstractIn On Certainty, Wittgenstein offers a radical conception of the structure of rational evaluation, such that all rational evaluations are essentially local in that they nec...
Carl Nielsen and Tivoli
Carl Nielsen and Tivoli
The basis for the article is a complete overview covering every performance of music by Carl Nielsen in the summer season of the Copenhagen pleasure garden, Tivoli, during the comp...
Program Bincang Santai dalam Transportasi Publik
Program Bincang Santai dalam Transportasi Publik
Abstract. Today Indonesia has a very rapid development of the transportation system, one of the actors behind the development of the transportation system is PT. Indonesian Railway...
Alternative Neo-Riemannian Approaches to Carl Nielsen
Alternative Neo-Riemannian Approaches to Carl Nielsen
On the basis of songs or songlike themes from three periods of Nielsen’s career I try to show how Nielsen’s harmonic progressions become simpler while displaying a more refined com...
Carl Nielsen and his Organ Preludes in the Context of Hans Henny Jahnn, Hugo Distler and Ernst Pepping
Carl Nielsen and his Organ Preludes in the Context of Hans Henny Jahnn, Hugo Distler and Ernst Pepping
In summer 1931 a correspondence between Carl Nielsen and the German author Hans Henny Jahnn (1894-1959) started. Jahnn was organ builder and publisher of music in unison. He knew t...
Carl Nielsen and the Radio
Carl Nielsen and the Radio
On 1 April 1925 Denmark introduced national control of its hitherto privately run and relatively chaotic radio broadcasting. Denmark would quickly show itself to be one of Europe’s...

Back to Top