Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Dante e Federico Zuccari: due modi diversi di raccontare la Divina Commedia
View through CrossRef
The subject of this contribution is the relationship between Federico Zuccari’s illustrations for the Divine Comedy and Dante’s original text. A text and its illustrations – as words and images – are always profoundly different; yet Federico appears even more independent than many other Renaissance illustrators of Dante. At the same time, some of the divergences reflect a more general misreading of certain passages of Dante’s text, the correct interpretation of which is of equal importance here as Federico’s drawings.
Title: Dante e Federico Zuccari: due modi diversi di raccontare la Divina Commedia
Description:
The subject of this contribution is the relationship between Federico Zuccari’s illustrations for the Divine Comedy and Dante’s original text.
A text and its illustrations – as words and images – are always profoundly different; yet Federico appears even more independent than many other Renaissance illustrators of Dante.
At the same time, some of the divergences reflect a more general misreading of certain passages of Dante’s text, the correct interpretation of which is of equal importance here as Federico’s drawings.
Related Results
ANALISIS YURIDIS TERHADAP KEBIJAKAN DIVERSI PEMERINTAH DAERAH DALAM PERLINDUNGAN ANAK DI KABUPATEN KUNINGAN
ANALISIS YURIDIS TERHADAP KEBIJAKAN DIVERSI PEMERINTAH DAERAH DALAM PERLINDUNGAN ANAK DI KABUPATEN KUNINGAN
AbstractThe writer does this research with background to know the rule of diversion policy specifically for children in Kuningan Regency. The purposes of writing this paper are to ...
Convegno SISD Lugano 2023
Convegno SISD Lugano 2023
Raffaele Pinto (Università di Barcellona). PRESENTAZIONE del SISD Mirco Cittadini. Dante e il mondo infero: Hillman interprete (in)consapevole della Commedia Raffaele Pinto (Un...
L'inferno silenzioso. I film “danteschi” nel cinema muto italiano
L'inferno silenzioso. I film “danteschi” nel cinema muto italiano
Nella cultura popolare italiana Dante ha sempre ricoperto un ruolo speciale, anche per la sua capacità di incarnare la "cultura alta" agli occhi del popolo meno erudito, cioè propr...
Luce, vita e operatività: una riflessione su tre testi di Federico Zuccari
Luce, vita e operatività: una riflessione su tre testi di Federico Zuccari
This study offers a close analysis of three passages found in Federico Zuccari’s Idea de’ Pittori, Scultori et Architetti, published in Turin in 1607, in order to highlight his sus...
Starring Dante
Starring Dante
This essay offers an example of a guiding thread in my own research on and teaching of Dante’s Commedia. Specifically, I will follow a strand that leads us from Dante’s encounter w...
Educating Desire: Conversion and Ascent in Dante’s Purgatorio
Educating Desire: Conversion and Ascent in Dante’s Purgatorio
In Cantos 17 and 18 of the Purgatorio, Dante’s Virgil lays out a theory of sin, freedom, and moral motivation based on a philosophical anthropology of loving-desire. As the comment...
Federico Zuccari nella lessicografia italiana
Federico Zuccari nella lessicografia italiana
This article examines the presence of quotations from Federico Zuccari’s texts within Italian lexicography. In order to properly assess the citation impact of Zuccari, the investig...
Dante, la 'Commedia' e l'"opera mondo"
Dante, la 'Commedia' e l'"opera mondo"
Il viaggio attraverso la Commedia assume come viatico l'insegnamento di López Cortezo, Pasquini e Carpi. Inoltre l'opera dantesca viene letta come una "opera mondo", in quanto riun...