Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Two Vases by Phintias

View through CrossRef
It was my intention to publish in the Journal of Hellenic Studies a cylix by Phintias in the Central Museum at Athens, together with the substance of a paper read at a meeting of the British Archaeological School in March of this year. Learning, however, that Dr. P. Hartwig was anxious to publish the cylix in his forthcoming Meisterschalen, I entered into correspondence with him, and by his kindness am enabled to publish in its place the well-known hydria in the British Museum (Klein, Meistersignaturen 3) and fragments of a stamnos in the possession of Dr. Friedrich Hauser, now at Stuttgart, whose kindness in furnishing me with drawings by his own hand I would gratefully acknowledge.A.—The first vase to be discussed is the hydria in the British Museum (E 264) found at Vulci. The form is the older one with sharp divisions between neck, shoulder, and body, which is characteristic of b.f. hydriae, and disappears after the ‘severe’ period of r.f. vase-painting, shoulder and body passing into one and leaving only one field for decoration. On the inside of the lip, in front of the junction with the handle, are three round knobs suggesting pegs or nails. These are in this case painted purple, whereas usually when they appear they are varnished—cp. Petersburg 1, 337 and Berlin 1897 = Gerhard, A. V. 249, 250. The handles are left unvarnished, which is also comparatively uncommon. The main field of the vase is occupied by a scene, which if not of surpassing originality or interest, is at least unusual. Three naked ἔφηβοι, are represented in the act of carrying water from a fountain in hydriae which are of the same form as the vase itself, except that that which is carried by the second youth from the right on his shoulder is apparently of a more developed form, in which the sharp division between shoulder and body is given up. On the extreme right a stream of water issues from a lion's head of admirable execution, worthy to stand beside analogous portions of the work of Sosias and Peithinous, and a youth fills his hydria.
Cambridge University Press (CUP)
Title: Two Vases by Phintias
Description:
It was my intention to publish in the Journal of Hellenic Studies a cylix by Phintias in the Central Museum at Athens, together with the substance of a paper read at a meeting of the British Archaeological School in March of this year.
Learning, however, that Dr.
P.
Hartwig was anxious to publish the cylix in his forthcoming Meisterschalen, I entered into correspondence with him, and by his kindness am enabled to publish in its place the well-known hydria in the British Museum (Klein, Meistersignaturen 3) and fragments of a stamnos in the possession of Dr.
Friedrich Hauser, now at Stuttgart, whose kindness in furnishing me with drawings by his own hand I would gratefully acknowledge.
A.
—The first vase to be discussed is the hydria in the British Museum (E 264) found at Vulci.
The form is the older one with sharp divisions between neck, shoulder, and body, which is characteristic of b.
f.
hydriae, and disappears after the ‘severe’ period of r.
f.
vase-painting, shoulder and body passing into one and leaving only one field for decoration.
On the inside of the lip, in front of the junction with the handle, are three round knobs suggesting pegs or nails.
These are in this case painted purple, whereas usually when they appear they are varnished—cp.
Petersburg 1, 337 and Berlin 1897 = Gerhard, A.
V.
249, 250.
The handles are left unvarnished, which is also comparatively uncommon.
The main field of the vase is occupied by a scene, which if not of surpassing originality or interest, is at least unusual.
Three naked ἔφηβοι, are represented in the act of carrying water from a fountain in hydriae which are of the same form as the vase itself, except that that which is carried by the second youth from the right on his shoulder is apparently of a more developed form, in which the sharp division between shoulder and body is given up.
On the extreme right a stream of water issues from a lion's head of admirable execution, worthy to stand beside analogous portions of the work of Sosias and Peithinous, and a youth fills his hydria.

Related Results

Veiling, αίδώς, and a red-figure amphora by Phintias
Veiling, αίδώς, and a red-figure amphora by Phintias
At p. 319 n. 203 of my recent book, I discussthe appearance of the letters ΑΙΔΟΣ … designating the figure of Artemis on an Attic red-figure amphora (depicting the rape of Leto by T...
Dancing with Greek Vases
Dancing with Greek Vases
Abstract As gods dance, women twirl in choruses, and men leap in kōmos revels on Athenian red-figure vases, their animate bodies must be made to conform to the rounded shape of the...
Stout and Slender in the Late Archaic Period
Stout and Slender in the Late Archaic Period
In his work Potter and Painter in Ancient Athens Sir John Beazley proposes a more detailed study of the shapes of vases in order to obtain a better knowledge of the relations betwe...
The Master of the Achilles Amphora in the Vatican
The Master of the Achilles Amphora in the Vatican
The two vases reproduced on Pl. 13 and Pl. 14. 2 are the earliest redfigured lekythoi on which a grave-stele is represented. Shape and patterns and composition are the same in both...
Old Smyrna: the Attic pottery
Old Smyrna: the Attic pottery
The earliest fine Attic pottery (excluding scraps of Geometric ware) found at the site of Old Smyrna was made in the first quarter of the sixth century (see no. 2 in the Catalogue ...
Some Red-figure Vase-painters of the Chalcidice
Some Red-figure Vase-painters of the Chalcidice
The four seasons of excavation conducted by D. M. Robinson at Olynthos between 1928 and 1938 produced a large quantity of red-figure pottery from settlement and cemetery. This mate...
New pottery from the Psychro Cave and its implications for Minoan Crete
New pottery from the Psychro Cave and its implications for Minoan Crete
Recently discovered pottery from David Hogarth's 1899 excavation in the Psychro Cave is published in this study. The great majority of these vases can, on the basis of their fabric...
MYCENAEAN LAPIDARY CRAFTSMANSHIP: THE MANUFACTURING PROCESS OF STONE VASES
MYCENAEAN LAPIDARY CRAFTSMANSHIP: THE MANUFACTURING PROCESS OF STONE VASES
The first substantial corpus of developed and complex stone vases emerged on the Greek mainland in the shaft graves of Mycenae (Middle Helladic III – Late Helladic I) and was certa...

Back to Top