Javascript must be enabled to continue!
Some Red-figure Vase-painters of the Chalcidice
View through CrossRef
The four seasons of excavation conducted by D. M. Robinson at Olynthos between 1928 and 1938 produced a large quantity of red-figure pottery from settlement and cemetery. This material was published in volumes 5 and 13 of the final report. Robinson recognized that many of the red-figure fragments were of local Chalcidic fabric, and he tried to distinguish a few hands, but he made no detailed study. In ARV 1507–9 J. D. Beazley attributed a number of vases to a Painter of Olynthos 5.156 and a Group of Olynthos 5.141, and noted that they ‘might be local Olynthian’ but he ‘did not see that they differed from Attic in clay or technique’. More recently a few local red-figure vases, from private collections and rescue excavations, have been published, and others, still unpublished, are on display in the museums of Salonica and Polygiros. The excavations at Torone, still in progress, have also produced some fragments of non-Attic red-figure. On the basis of this material I have tried to distinguish more clearly some of the red-figure painters active in the Chalcidice in the fourth century; but I ought to emphasize that there are many vases and fragments not included here.
Title: Some Red-figure Vase-painters of the Chalcidice
Description:
The four seasons of excavation conducted by D.
M.
Robinson at Olynthos between 1928 and 1938 produced a large quantity of red-figure pottery from settlement and cemetery.
This material was published in volumes 5 and 13 of the final report.
Robinson recognized that many of the red-figure fragments were of local Chalcidic fabric, and he tried to distinguish a few hands, but he made no detailed study.
In ARV 1507–9 J.
D.
Beazley attributed a number of vases to a Painter of Olynthos 5.
156 and a Group of Olynthos 5.
141, and noted that they ‘might be local Olynthian’ but he ‘did not see that they differed from Attic in clay or technique’.
More recently a few local red-figure vases, from private collections and rescue excavations, have been published, and others, still unpublished, are on display in the museums of Salonica and Polygiros.
The excavations at Torone, still in progress, have also produced some fragments of non-Attic red-figure.
On the basis of this material I have tried to distinguish more clearly some of the red-figure painters active in the Chalcidice in the fourth century; but I ought to emphasize that there are many vases and fragments not included here.
Related Results
The numismatic circulation of the cities of Chalcidice, the Chalcidic League, and the Bottiaeans in the kingdom of Macedonia during the 5th and 4th centuries BC
The numismatic circulation of the cities of Chalcidice, the Chalcidic League, and the Bottiaeans in the kingdom of Macedonia during the 5th and 4th centuries BC
In this article the presence of coins from the mints of the Chalcidice within the boundaries of the Macedonian kingdom is examined. Along with coin hoards, we include archaeologica...
TINJAUAN IKONOGRAFI DAN IKONOLOGI POSTER IKLAN RED BULL œPOWER ON FOR STRENGTH
TINJAUAN IKONOGRAFI DAN IKONOLOGI POSTER IKLAN RED BULL œPOWER ON FOR STRENGTH
Red Bull is an energy drink brand owned by Red Bull GmbH from Austria. With a share of Red Bull is an energy drink brand owned by Austrian company Red Bull. With a market share of ...
The Effects of Silver and Copper Nano Particle-Infused Vase Solutions on the Vase Life of Cut Narcissus (Narcissus L.) Flowers
The Effects of Silver and Copper Nano Particle-Infused Vase Solutions on the Vase Life of Cut Narcissus (Narcissus L.) Flowers
Narcissus has become increasingly preferred as a cut flower due to its pleasant fragrance and ability to bloom
during winter. The most important parameters determining the quality ...
Greek Vase Painting
Greek Vase Painting
Greek vase-painting is one of the best studied areas of classical antiquity. Figure decorated pottery, often called “vases,” was produced in large quantities in many regions of the...
A view of women in painting from the past to the present: the image of women in art and women painters
A view of women in painting from the past to the present: the image of women in art and women painters
The woman, has been one of the main themes of art throughout all art processes. Social processes and the place of women in society were also reflected in art and shaped the image o...
Retraction notice to: The special issue of filomat no. 34:15 (2020)
Retraction notice to: The special issue of filomat no. 34:15 (2020)
Retraction of the special issue: FILOMAT 34:15 (2020) The First International
Conference on Advanced Robotics and Intelligent Control (ICARIC 2018).
<br><br><font...
Supplementary Figures S1-S25 from Late-stage metastatic melanoma emerges through a diversity of evolutionary pathways
Supplementary Figures S1-S25 from Late-stage metastatic melanoma emerges through a diversity of evolutionary pathways
<p>Supplementary figure 1: Cohort overview. Number of samples sequenced with whole exome, panel or whole
RNA sequencing.
Supplementary figure 2: Phylogeny and WGD events in ...
Supplementary Figures S1-S25 from Late-stage metastatic melanoma emerges through a diversity of evolutionary pathways
Supplementary Figures S1-S25 from Late-stage metastatic melanoma emerges through a diversity of evolutionary pathways
<p>Supplementary figure 1: Cohort overview. Number of samples sequenced with whole exome, panel or whole
RNA sequencing.
Supplementary figure 2: Phylogeny and WGD events in ...

