Javascript must be enabled to continue!
Richard Wagner and the Art of the Avant-Garde, 1860-1910
View through CrossRef
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves.
Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art. They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example. Thus artists such as Vincent
Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail.
The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests. The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle. Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth. Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century. There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works. Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others.
The book features 60 art reproductions, half of them in color.
Title: Richard Wagner and the Art of the Avant-Garde, 1860-1910
Description:
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century.
The term avant-garde represents a twenty-first century evaluation of certain nineteenth-century artists working in a variety of advanced styles, rather than a phrase the artists applied to themselves.
Chapters are on individual artists or groups, rather than an attempt to survey all of nineteenth-century Wagnerian visual art.
They deal with paintings and drawings inspired by Wagner and his operas, not with the composer’s larger cultural influence through his writings and personal example.
Thus artists such as Vincent
Van Gogh and Paul Gauguin, who knew of Wagner’s music and writings but did not depict scenes from his operas, are not discussed in detail.
The emphasis is on the diverse effects Wagner had on the works of leading avant-garde artists, varying according to their personalities and stylistic interests.
The period beginning in the 1880s, often associated with post-Impressionism, was characterized by a movement away from realist subject matter to more personal or imaginary themes, a general intellectual trend of the fin-de-siècle.
Wagner’s remote quasi-historical or mythological subjects fit well with this escapist tendency in the art and culture of the time, in part a return to the Romantic sensibility that was dominant in Wagner’s youth.
Wagner’s influence peaked in the period between his death in 1883 and 1900, though a few long-lived artists continued their Wagnerian explorations from this era well into the early twentieth century.
There is no “Wagner style” in art, yet Wagner’s pervasive influence is immediately evident in these works.
Artists whose works are discussed include Eugène Delacroix, Henri Fantin-Latour, Odilon Redon, Max Klinger, James Ensor, Fernand Khnopff, John Singer Sargent and Aubrey Beardsley, among others.
The book features 60 art reproductions, half of them in color.
Related Results
Johannes Semper hobusega. Avangard, takerduja tehnika ja looduse vahel / Johannes Semper with a horse: Avant-garde between technology and nature
Johannes Semper hobusega. Avangard, takerduja tehnika ja looduse vahel / Johannes Semper with a horse: Avant-garde between technology and nature
Artikkel annab ülevaate 20. sajandi alguse kirjandusliku avangardi suhetest tehnikaga. Avangardi (eriti futurismi) jaoks pidi tehnika saama loomise eeskujuks ja masinate seadused e...
Yiddish Avant-garde Theater
Yiddish Avant-garde Theater
Inspired by contemporaneous modernist artistic and literary movements, groups of Jewish writers and artists coalesced in Eastern Europe and Soviet Russia during the first two decad...
Avant-garde Videogames
Avant-garde Videogames
An exploration of avant-garde games that builds upon the formal and political modes of contemporary and historical art movements.
The avant-garde challenges or leads...
Introduction: Neo-Avant-Garde, Why Bother?
Introduction: Neo-Avant-Garde, Why Bother?
The introduction deals with the relevance of the term ‘neo-avant-garde’ for literature. The term is used most typically for experimental art forms from the long sixties (1955-1975)...
Theodor Adorno, Peter Bürger and Oswald Wiener, or How to Apply Neo-Avant-Garde Theory to Neo-Avant-Garde Texts
Theodor Adorno, Peter Bürger and Oswald Wiener, or How to Apply Neo-Avant-Garde Theory to Neo-Avant-Garde Texts
This article confronts two very influential theoretical texts related to neo-avant-garde with one of the most important manifestations of literary neo-avant-garde: Theodor W. Adorn...
L' Écriture entre deux chaises
L' Écriture entre deux chaises
« Le temps des avant-gardes. Peut-être la seule forme de vie excitante, parce que liée intimement à l’écriture » : voici la manière dont Chloé Delaume se remémore, dans Où le sang ...
Avantgarde Suomessa
Avantgarde Suomessa
Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and developm...
Postcolonial Avant-Garde Fiction
Postcolonial Avant-Garde Fiction
Abstract
Postcolonial novelists face a difficult double bind. On one hand, they are expected to produce fiction that accurately represents the political and socia...

