Javascript must be enabled to continue!
From Translation Studies and audiovisual translation to media accessibility
View through CrossRef
Abstract
Recent developments in Translation Studies and translation practice have not only led to a profusion of approaches, but also to the development of new text forms and translation modes. Media Accessibility, particularly audio description (AD) and subtitling for the deaf and hard-of-hearing (SDH), is an example of such a ‘new’ mode. SDH has been evolving quickly in recent decades and new developments such as interlingual SDH and live subtitling with speech recognition bring it closer to established forms of translation and interpreting. On the one hand, interlingual SDH reintroduces Jakobson’s (1959) ‘translation proper’ while the use of speech recognition has led to the creation of a hybrid form that has affinities with both subtitling and interpreting. Audio description, for its part, cannot even be fitted into Jakobson’s ‘intersemiotic translation’ model since it involves translation from images into words. Research into AD is especially interesting since it rallies methods from adjacent disciplines, much in the same way that Holmes ([1972] 1988) described TS when it was a fledgling discipline. In 2008, Braun set out a research agenda for AD and the wealth of topics and research approaches dealt with in her article illustrate the immense complexity of this field and the work still to be done. Although AD and SDH research have developed at different paces and are concerned with different topics, converging trends do appear. Particularly the role of technology and the concept of multimodality seem to be key issues. This article aims to give an overview of current research trends in both these areas. It illustrates the possibilities of technology-driven research – particularly popular in SDH and live-subtitling research – while at the same time underlining the value of individual, human-driven approaches, which are still the main ‘modus operandi’ in the younger discipline of AD where much basic research is still required.
John Benjamins Publishing Company
Title: From Translation Studies and audiovisual translation to media accessibility
Description:
Abstract
Recent developments in Translation Studies and translation practice have not only led to a profusion of approaches, but also to the development of new text forms and translation modes.
Media Accessibility, particularly audio description (AD) and subtitling for the deaf and hard-of-hearing (SDH), is an example of such a ‘new’ mode.
SDH has been evolving quickly in recent decades and new developments such as interlingual SDH and live subtitling with speech recognition bring it closer to established forms of translation and interpreting.
On the one hand, interlingual SDH reintroduces Jakobson’s (1959) ‘translation proper’ while the use of speech recognition has led to the creation of a hybrid form that has affinities with both subtitling and interpreting.
Audio description, for its part, cannot even be fitted into Jakobson’s ‘intersemiotic translation’ model since it involves translation from images into words.
Research into AD is especially interesting since it rallies methods from adjacent disciplines, much in the same way that Holmes ([1972] 1988) described TS when it was a fledgling discipline.
In 2008, Braun set out a research agenda for AD and the wealth of topics and research approaches dealt with in her article illustrate the immense complexity of this field and the work still to be done.
Although AD and SDH research have developed at different paces and are concerned with different topics, converging trends do appear.
Particularly the role of technology and the concept of multimodality seem to be key issues.
This article aims to give an overview of current research trends in both these areas.
It illustrates the possibilities of technology-driven research – particularly popular in SDH and live-subtitling research – while at the same time underlining the value of individual, human-driven approaches, which are still the main ‘modus operandi’ in the younger discipline of AD where much basic research is still required.
Related Results
Audiovisual translation and media accessibility training in the EMT network
Audiovisual translation and media accessibility training in the EMT network
The increase in demand for the localisation of audiovisual media content has led to increased incorporation of audiovisual translation and accessibility modules into university cur...
Innovations in audiovisual translation – thematic analysis of national art texts
Innovations in audiovisual translation – thematic analysis of national art texts
The article discussed innovations in audiovisual translation: from reproduction to perception of music or film texts. Cinematography is an integral part of world art, representing ...
Artivismo, activismo y sin autoría audiovisual: el caso del colectivo Cine sin Autor (CsA) / Artivism, activism and audiovisual authorship: the case of Cine sin Autor (CsA)
Artivismo, activismo y sin autoría audiovisual: el caso del colectivo Cine sin Autor (CsA) / Artivism, activism and audiovisual authorship: the case of Cine sin Autor (CsA)
Resumen: El cine sin autor es un proceso de producción audiovisual que problematiza algunas de las ideas canónicas o fijas de la traslación de la autoridad desde un individuo hasta...
Audiovisual translation in China: A dialogue between Yves Gambier and Haina Jin
Audiovisual translation in China: A dialogue between Yves Gambier and Haina Jin
This dialogue was conducted between Yves Gambier and Haina Jin in April and November 2017, and April 2018 in Beijing, China, in order to give a panoramic view of audiovisual transl...
Variability in the Use of Audiovisual Translation Terminology
Variability in the Use of Audiovisual Translation Terminology
The growing supply of audiovisual products is closely linked to their translation to the target audience. In Lithuania, as well as in other countries, various modes of audiovisual ...
An overview of audiovisual translation: Four methodological turns in a mature discipline
An overview of audiovisual translation: Four methodological turns in a mature discipline
Digital technology has played a crucial role not only in the process of production and distribution of audiovisual content, but also in the process of localization and consumption ...
Žanrovska analiza pomorskopravnih tekstova i ostvarenje prijevodnih univerzalija u njihovim prijevodima s engleskoga jezika
Žanrovska analiza pomorskopravnih tekstova i ostvarenje prijevodnih univerzalija u njihovim prijevodima s engleskoga jezika
Genre implies formal and stylistic conventions of a particular text type, which inevitably affects the translation process. This „force of genre bias“ (Prieto Ramos, 2014) has been...
Audiovisual Translation
Audiovisual Translation
The audiovisual translation (AVT) sector has undergone rapid changes in recent years. It would be uncontroversial to state that the various stakeholders: academics; freelancers; te...

