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Outside Coming In
View through The Met
Acrylic on canvas
Modern and Contemporary Art, Metropolitan Museum of Art New York NY, Gift of Joyce and Jerry Black 2014
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Artists Coming Together to Benefit Democratic Presidential Candidates (ACT)
Artists Coming Together to Benefit Democratic Presidential Candidates (ACT)
Portfolio of 10 liIthographs by Rauschenberg (Tap) Franky Gehry (Study for Frank Gerhy House) John Baldessari (Two Opponents: Blue and Yellow) Ed Ruscha (Other) Jasper Johns (P...
X-radiograph(s) of "Coming Storm"
X-radiograph(s) of "Coming Storm"
X-Radiograph Description: X-Radiograph
X-Radiograph Settings: 21 and 30 kv, 5 ma, 24 and 6 sec.
Burroughs Number: 3466
X-Radiograph(s) of:
Artist: Inness, George, Americ...
Second Coming and Last Judgement, in the Huth
Psalter
Second Coming and Last Judgement, in the Huth
Psalter
Named for its donor, the Huth Psalter reveals its
origin by listing in its calendar of feasts and litany Saints Hugh,
Wilfrid, and John of Beverly?all associated with Lincoln or Yo...
My nanny's brooch
My nanny's brooch
I've brough this brooch, which was my nanny's brooch. I grew up in the United States, in a tight-knit Irish American community in Wilkes-Barre, Pennsylvania. All the branches of my...
'Tidal `bore' coming up the River Hoogley (frm nature)
7/11/81. Howrah (West of Calcutta) seen on the further
bank'
'Tidal `bore' coming up the River Hoogley (frm nature)
7/11/81. Howrah (West of Calcutta) seen on the further
bank'
Pencil drawing of a tidal bore on the River
Hooghly at Howrah near Calcutta by Reginald William Warneford dated
7th November 1881. Inscribed 'Tidal `bore' coming up the River
Hoogl...
Soviet Yiddish propaganda poster “The pig is our main machine for production of meat in the coming years!” 1931
Soviet Yiddish propaganda poster “The pig is our main machine for production of meat in the coming years!” 1931
The poster - “Der khazer iz undzer hoypmashin af tsu prutsirn fleysh in di noeyntste yorn!” (The pig is our main machine for production of meat in the coming years!) in original Yi...
Accession I
Accession I
Hesse’s work embodies contradiction. She once said that her aim was to create both “nothing” and “something.” Torn between her Abstract Expressionist tendencies and the influence o...