Javascript must be enabled to continue!
The Mysrety of Flowers. The Mystery of Color. Painting in Multi-Layer Watercolor Technique
View through CrossRef
The article is dedicated to composing and painting a floral still life in multi-layer watercolor. The author, drawing on his more than half a century experience in creative and pedagogical work, reveals major challenges faced by artists. The primary focus is directed towards a particularly demanding task of arranging a still life ensemble harmonious in terms of color, with flowers occupying a central place, while all other elements (stems and leaves, vase, background, etc.) play a role of a tactful and apt “accompaniment”. In this regard, the author examines successful tone and background choices for flower still lifes, taking into account the peculiarities of color perception depending on the color palette of the surrounding environment. Using his creative work as an example, the author unveils the key principles behind arranging and painting still lifes with bouquets of blue, white, yellow and red flowers, field herbs, as well as floral still lifes on deep dark backgrounds. The author explores the question of proper layer-bylayer transmission of chiaroscuro, light and shade. Likewise, the most common difficulties connected to watercolor painting, as well as the best ways to overcome them are delineated. The article is intended for teachers and students of art schools at all levels; it will also be of interest to professional artists as the author offers solutions to complex problems arising when one works with color in a particularly exigent multi-layer watercolor technique.
Academy of Watercolor and Fine Arts of Sergey Andriaka
Title: The Mysrety of Flowers. The Mystery of Color. Painting in Multi-Layer Watercolor Technique
Description:
The article is dedicated to composing and painting a floral still life in multi-layer watercolor.
The author, drawing on his more than half a century experience in creative and pedagogical work, reveals major challenges faced by artists.
The primary focus is directed towards a particularly demanding task of arranging a still life ensemble harmonious in terms of color, with flowers occupying a central place, while all other elements (stems and leaves, vase, background, etc.
) play a role of a tactful and apt “accompaniment”.
In this regard, the author examines successful tone and background choices for flower still lifes, taking into account the peculiarities of color perception depending on the color palette of the surrounding environment.
Using his creative work as an example, the author unveils the key principles behind arranging and painting still lifes with bouquets of blue, white, yellow and red flowers, field herbs, as well as floral still lifes on deep dark backgrounds.
The author explores the question of proper layer-bylayer transmission of chiaroscuro, light and shade.
Likewise, the most common difficulties connected to watercolor painting, as well as the best ways to overcome them are delineated.
The article is intended for teachers and students of art schools at all levels; it will also be of interest to professional artists as the author offers solutions to complex problems arising when one works with color in a particularly exigent multi-layer watercolor technique.
Related Results
Crescimento de feijoeiro sob influência de carvão vegetal e esterco bovino
Crescimento de feijoeiro sob influência de carvão vegetal e esterco bovino
<p align="justify"><span style="color: #000000;"><span style="font-family: 'Times New Roman', serif;"><span><span lang="pt-BR">É indiscutível a import...
On Flores Island, do "ape-men" still exist? https://www.sapiens.org/biology/flores-island-ape-men/
On Flores Island, do "ape-men" still exist? https://www.sapiens.org/biology/flores-island-ape-men/
<span style="font-size:11pt"><span style="background:#f9f9f4"><span style="line-height:normal"><span style="font-family:Calibri,sans-serif"><b><spa...
Boja kao izlagački aspekt narativnoga filma
Boja kao izlagački aspekt narativnoga filma
The dissertation, titled Colour as an Expository Aspect of the Narrative Film, explores how color shapes the narrative, aesthetic, and emotional dimensions of film. Analyzing the h...
A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation
A Comparison of Watercolor Painting and Boneless Painting: From Technique to Connotation
Watercolor painting is a western painting method, which is concerned with the relationships of light and shadow as well as brightness and darkness. Chinese painting includes brush ...
Mystery shoppers: an evaluation of their use in monitoring performance
Mystery shoppers: an evaluation of their use in monitoring performance
Purpose
– The purpose of this paper is to examine what mystery shopping is, why it is used and how mystery customers are trained and how the information collected i...
Advanced routing mechanisms in ASON/GMPLS networks
Advanced routing mechanisms in ASON/GMPLS networks
Current network infrastructures are supported on a layered model whereby heterogeneous data traffic can be seamlessly transported. In this architecture, where client/server relatio...
Synchronizability and eigenvalues of two-layer star networks
Synchronizability and eigenvalues of two-layer star networks
From the study of multilayer networks, scientists have found that the properties of the multilayer networks show great difference from those of the traditional complex networks. In...
Penetrative convection in Nocturnal ABL: Numerical Simulations
Penetrative convection in Nocturnal ABL: Numerical Simulations
<p>After the sunset, under calm and clear sky conditions, aerosol laden surface air-layer, cools rapidly due to radiative cooling<sup>[1, 2, & 3...

