Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Portrait of Poet Momin Khan Momin (recto), Sketch of Begum Samru (verso)

View through Harvard Museums
The recto side of this page features an unfinished portrait of poet, Momin Khan Momin (1800-1851). He was known for his Urdu ghazals, a form of poetry popular on the Indian subcontinent. He is shown here bare-chested and seated cross-legged with his hands in his lap. The verso side of this page depicts a sketch of Begum Samru (1746-1836) within an oval. Begum Samru was born as Farzana Zeb-un-Nissa. She was a Nautch dancing girl and eventually became the ruler of Sardhana, a small principality near Meerut, a city in Uttar Pradesh. She was head of a professionally trained mercenary army, inherited from her European mercenary husband, Walter Reinhardt Sombre. She took the name Johanna Nobilis Sombre and converted to Catholicism from Islam. She is depicted wearing a hat with a large tassel and a cloak draped over her body.
Department of Islamic & Later Indian Art Stuart Cary Welch (by 1983 - 2008 ) by descent; to his estate (2008-2009 ) gift; to Harvard Art Museum. Notes: Object was part of long-term loan to Museum in 1983. Harvard Art Museums/Arthur M. Sackler Museum The Stuart Cary Welch Collection Gift of Edith I. Welch in memory of Stuart Cary Welch
image-zoom
Title: Portrait of Poet Momin Khan Momin (recto), Sketch of Begum Samru (verso)
Description:
The recto side of this page features an unfinished portrait of poet, Momin Khan Momin (1800-1851).
He was known for his Urdu ghazals, a form of poetry popular on the Indian subcontinent.
He is shown here bare-chested and seated cross-legged with his hands in his lap.
The verso side of this page depicts a sketch of Begum Samru (1746-1836) within an oval.
Begum Samru was born as Farzana Zeb-un-Nissa.
She was a Nautch dancing girl and eventually became the ruler of Sardhana, a small principality near Meerut, a city in Uttar Pradesh.
She was head of a professionally trained mercenary army, inherited from her European mercenary husband, Walter Reinhardt Sombre.
She took the name Johanna Nobilis Sombre and converted to Catholicism from Islam.
She is depicted wearing a hat with a large tassel and a cloak draped over her body.

Related Results

Begum Samru and her household
Begum Samru and her household
Begum Samru and her household, by Muhammad A`zam. This crowded scene shows the ruler of Sardhana, Begum Samru (1751-1836) and her extensive household, receiving four guests who a...
Sketchbook
Sketchbook
Sketchbook with black-leather-covered cardboard covers. Sewn page block; pages of off-white wove paper, each 27.2 x 20.8 cm. Drawings made in graphite and in vertical orientation...
Portrait of Shāhnavāz Khān Ṣafavī (d. 1659) by Hāshim (recto), Persian calligraphy by Mīr `Alī (verso), folio from the Minto Album
Portrait of Shāhnavāz Khān Ṣafavī (d. 1659) by Hāshim (recto), Persian calligraphy by Mīr `Alī (verso), folio from the Minto Album
Portrait of Shāhnavāz Khān Ṣafavī (d. 1659) by Hāshim (recto), Persian calligraphy by Mīr `Alī (verso), folio from the Minto Album. Many of the Mughal emperors ordered full-leng...
Lyric sheets: bound folder of song lyrics, 1970-72
Lyric sheets: bound folder of song lyrics, 1970-72
1 brown bound folder labeled on cover in black ink: 5 SONGS / CHRIS JAMES / (WILMARTH). [According to an email from Susan Wilmarth-Rabineau, Wilmarth's original last name was James...
Portrait of Mahābat Khān (d. 1634) (recto), Persian calligraphy by Mīr `Alī (verso), from the Late Shah Jahan Album
Portrait of Mahābat Khān (d. 1634) (recto), Persian calligraphy by Mīr `Alī (verso), from the Late Shah Jahan Album
Portrait of Mahābat Khān (d. 1634) (recto), Persian calligraphy by Mīr `Alī (verso), from the Late Shah Jahan Album. Zamāna Beg (d. 1634) was the son of a nobleman from Shiraz i...
Folio 313 (text, recto and verso), from a manuscript of the Divan (Collection of Works) of Anvari
Folio 313 (text, recto and verso), from a manuscript of the Divan (Collection of Works) of Anvari
The recto and verso side of the folio features two columns of Persian text written in black ink and nasta’liq script. The recto side has two horizontal breaks, while the verso has ...

Back to Top