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Woman Playing a Zither (drawing, recto) after a European source; calligraphy (verso) by an unknown artist

View through Harvard Museums
The recto of this album folio depicts a woman playing an Indian zither in a landscape. The top band and right side of the drawing are made on a different piece of paper. The verso of this folio holds a calligraphic composition consisting of two couplets of Persian poetry written in nasta’liq script in diagonal format. The drawing is an example of the self-consciously global aesthetic at the Mughal court. The woman is dressed in European clothing but adorned with Indian jewelry. Basawan, a leading artist in this blended mode to whom the work is attributed, most likely modeled the woman on a European engraving of a classical or biblical figure, but here, she is playing an Indian zither rather than a European instrument. Furthermore, she is seated on a Roman curule chair decorated with angels, and female figures, and an inscription written in illegible Latin script.
Department of Islamic & Later Indian Art Louis J. Cartier Collector. Stuart Cary Welch Jr. Warner New Hampshire (by 1962-2008) by inheritance; to Edith I. Welch Warner New Hampshire (2008-2011) gift; to Harvard Art Museums 2011. Harvard Art Museums/Arthur M. Sackler Museum The Stuart Cary Welch Collection Gift of Edith I. Welch in memory of Stuart Cary Welch
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Title: Woman Playing a Zither (drawing, recto) after a European source; calligraphy (verso) by an unknown artist
Description:
The recto of this album folio depicts a woman playing an Indian zither in a landscape.
The top band and right side of the drawing are made on a different piece of paper.
The verso of this folio holds a calligraphic composition consisting of two couplets of Persian poetry written in nasta’liq script in diagonal format.
The drawing is an example of the self-consciously global aesthetic at the Mughal court.
The woman is dressed in European clothing but adorned with Indian jewelry.
Basawan, a leading artist in this blended mode to whom the work is attributed, most likely modeled the woman on a European engraving of a classical or biblical figure, but here, she is playing an Indian zither rather than a European instrument.
Furthermore, she is seated on a Roman curule chair decorated with angels, and female figures, and an inscription written in illegible Latin script.

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