Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Tastes, Smells, and Aesthetics

View through CrossRef
Abstract Tackles the neglected question of whether tastes and smells can be objects of aesthetic interest, appreciation, satisfaction, and value. Bypassing the question of whether the objects of tasting and smelling are works of art, Sibley states that it is not the case that tastes and smells are wholly excluded from the realm of the aesthetic, that is to say, that they do not necessarily lack those features that would make them eligible in such a way that aesthetic judgements or descriptions of them are possible. Sibley offers a variety of considerations in favour of the view that tastes and smells meet some of the demands we typically impose on objects if viewed in the context of aesthetic evaluation. Since, furthermore, no suitable candidate presents itself to serve as a criterion of demarcating the aesthetic and the sensuous, and since, consequently, these domains have to be understood as merging along a continuum, the diverse intersections between the two permit of some aesthetic evaluation of the sensuous.
Oxford University PressOxford
Title: Tastes, Smells, and Aesthetics
Description:
Abstract Tackles the neglected question of whether tastes and smells can be objects of aesthetic interest, appreciation, satisfaction, and value.
Bypassing the question of whether the objects of tasting and smelling are works of art, Sibley states that it is not the case that tastes and smells are wholly excluded from the realm of the aesthetic, that is to say, that they do not necessarily lack those features that would make them eligible in such a way that aesthetic judgements or descriptions of them are possible.
Sibley offers a variety of considerations in favour of the view that tastes and smells meet some of the demands we typically impose on objects if viewed in the context of aesthetic evaluation.
Since, furthermore, no suitable candidate presents itself to serve as a criterion of demarcating the aesthetic and the sensuous, and since, consequently, these domains have to be understood as merging along a continuum, the diverse intersections between the two permit of some aesthetic evaluation of the sensuous.

Related Results

Fixing Dockerfile smells: an empirical study
Fixing Dockerfile smells: an empirical study
AbstractDocker is the de facto standard for software containerization. A Dockerfile contains the requirements to build a Docker image containing a target application. There are sev...
Chinese Environmental Aesthetics
Chinese Environmental Aesthetics
As an independent modern humanities discipline, aesthetics is an essential part of philosophy. Environmental aesthetics is the application of aesthetic theory in the field of envir...
Code Smells Detection and Visualization of Software Systems
Code Smells Detection and Visualization of Software Systems
Bad smells are symptoms in the source code that indicate possible deeper problems and may serve as drivers for code refactoring. Although efforts have been made on measuring code c...
Continuous monitoring of software evolution
Continuous monitoring of software evolution
As software continues to evolve, complexity accumulates through various maintenance activities, such as bug fixes, new feature implementations, etc., inevitably resulting in archit...
Modern Western Ecological Aesthetics from the Perspective of Aesthetics
Modern Western Ecological Aesthetics from the Perspective of Aesthetics
Aesthetics is the study of people's perception and experience of heaven, earth and man and all things. Environment and landscape are the most important perceptual manifestation of ...
An Exploratory Evaluation of Code Smell Agglomerations
An Exploratory Evaluation of Code Smell Agglomerations
Abstract Context. Code smell is a symptom of decisions about the system design or code that may degrade its modularity. For example, they may indicate inheritance misuse, ...
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in...
Przemiany estetyki
Przemiany estetyki
Metamorphosis of Aesthetics Many aesthetic lecturers feel that the subject of their lectures is not so much aesthetics as the history of aesthetics, the aesthetic views of Plato a...

Back to Top