Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

From Theoretical to Applied Environmental Aesthetics

View through CrossRef
Yrjö Sepänmaa discusses the relationship between the theory and practice of environmental aesthetics. He suggests that the future lies in moving outside the academy through a new kind of professional aesthetic activity and through engagement with the public. Environmental aestheticians should combine or complement their role as analysts with the role of guides, acting as experts in beauty in cooperation with researchers from other disciplines, practical workers, policymakers, and the wider public. The need for a close cooperation between various parties as a consequence of the transition from theoretical to applied environmental aesthetics poses intricate problems of communication across boundaries between different and sometimes divergent disciplines and audiences. As an important way to tackle these problems, Sepänmaa points to a series of seven international congresses on environmental aesthetics that took place in Finland from 1994 to 2009. This series has been a major force in the unification of the discipline, in crossing borders between the natural sciences and the humanities, in finding a common language for exchanging information and ideas across boundaries, and in linking activities of players from different fields.
Title: From Theoretical to Applied Environmental Aesthetics
Description:
Yrjö Sepänmaa discusses the relationship between the theory and practice of environmental aesthetics.
He suggests that the future lies in moving outside the academy through a new kind of professional aesthetic activity and through engagement with the public.
Environmental aestheticians should combine or complement their role as analysts with the role of guides, acting as experts in beauty in cooperation with researchers from other disciplines, practical workers, policymakers, and the wider public.
The need for a close cooperation between various parties as a consequence of the transition from theoretical to applied environmental aesthetics poses intricate problems of communication across boundaries between different and sometimes divergent disciplines and audiences.
As an important way to tackle these problems, Sepänmaa points to a series of seven international congresses on environmental aesthetics that took place in Finland from 1994 to 2009.
This series has been a major force in the unification of the discipline, in crossing borders between the natural sciences and the humanities, in finding a common language for exchanging information and ideas across boundaries, and in linking activities of players from different fields.

Related Results

Modern Western Ecological Aesthetics from the Perspective of Aesthetics
Modern Western Ecological Aesthetics from the Perspective of Aesthetics
Aesthetics is the study of people's perception and experience of heaven, earth and man and all things. Environment and landscape are the most important perceptual manifestation of ...
Grammer of Grief
Grammer of Grief
This essay investigates the relationship between mourning and linguistic structure, proposing that grief produces not merely emotional disruption but a reconfiguration of grammar i...
Measuring Proximity: A Post-Interpretive Diagnostic Experiment in Art Criticism A Diagnostic Lens on Ethical Witnessing in Art Criticism
Measuring Proximity: A Post-Interpretive Diagnostic Experiment in Art Criticism A Diagnostic Lens on Ethical Witnessing in Art Criticism
Contemporary art criticism often advances by way of interpretive extraction. Works are translated into meanings, themes, intentions, and arguments, which then circulate with remark...
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
This paper extends Post-Interpretive Criticism (PIC) by introducing a second layer of diagnostic indices designed to evaluate the phenomenological fidelity of art criticism. While ...
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in...
Przemiany estetyki
Przemiany estetyki
Metamorphosis of Aesthetics Many aesthetic lecturers feel that the subject of their lectures is not so much aesthetics as the history of aesthetics, the aesthetic views of Plato a...
Influence of Kant’s Aesthetics on the Aesthetics of Collingwood
Influence of Kant’s Aesthetics on the Aesthetics of Collingwood
R. G. Collingwood is supposed to be one of the most important Aesthetes of 20th Century. He was a multi-talented person having original ideas in the fields of Philosophical History...
Art as Truth: A Treatise
Art as Truth: A Treatise
Art as Truth: A Treatise By Dorian Vale — A Foundational Text of the Post-Interpretive Movement Art as Truth is the culminating philosophical treatise of the Post-Interpretive Mo...

Back to Top