Javascript must be enabled to continue!
Elizabethan Stagings of Hamlet : George Pierce Baker and William Poel
View through CrossRef
On 21 February 1900, William Poel staged the First Quarto
Hamlet
for a single performance in the Carpenters' Hall, London. On 5 and 6 April 1904, George Pierce Baker mounted a production of
Hamlet
with Johnston Forbes Robertson in Sanders Hall at Harvard University. The two productions shared a number of remarkable similarities. Both were attempts to stage the play in the Elizabethan manner; therefore, they departed from illusionistic traditions of the nineteenth century. Although there were distinct differences – for example, one had a cast of amateurs, one was professional; one was performed for the public, one for a university – each was an important step in the reformation of Elizabethan staging. The productions also reflected the pursuits of two men who, although they had similar ideas about Elizabethan drama, were motivated by different objectives.
Title: Elizabethan Stagings of
Hamlet
: George Pierce Baker and William Poel
Description:
On 21 February 1900, William Poel staged the First Quarto
Hamlet
for a single performance in the Carpenters' Hall, London.
On 5 and 6 April 1904, George Pierce Baker mounted a production of
Hamlet
with Johnston Forbes Robertson in Sanders Hall at Harvard University.
The two productions shared a number of remarkable similarities.
Both were attempts to stage the play in the Elizabethan manner; therefore, they departed from illusionistic traditions of the nineteenth century.
Although there were distinct differences – for example, one had a cast of amateurs, one was professional; one was performed for the public, one for a university – each was an important step in the reformation of Elizabethan staging.
The productions also reflected the pursuits of two men who, although they had similar ideas about Elizabethan drama, were motivated by different objectives.
Related Results
Hamlet e a Psicanálise
Hamlet e a Psicanálise
Este ensaio visa a trazer, em um primeiro momento, os paralelos literários entre Shakespeare e Freud a partir das análises de Harold Bloom, em especial discorrendo sobre a importân...
Antiphase crew rowing on water: a first case study.
Antiphase crew rowing on water: a first case study.
In crew rowing, agents need to mutually coordinate their movements to achieve optimal performance (De Poel, De Brouwer, & Cuijpers, 2016). Traditionally, rowers aim to achi...
Representasi Elemen-elemen Jurnalisme dalam Film Spotlight
Representasi Elemen-elemen Jurnalisme dalam Film Spotlight
ABSTRAK
Kejurnalistikan bisasanya identik dengan media-media mainstream seperti halnya televisi, radio, koran atau majalah. Film merupakan salah satu media massa ...
Hamlet Within Hamlet
Hamlet Within Hamlet
This introductory chapter argues that William Shakespeare's Hamlet can be read as a profound meditation on the nature of human individuality without relying on conceptual framework...
Hamlet as Poet
Hamlet as Poet
This chapter focuses on Hamlet's imagination and his accomplishments as a poet. It begins with the love poetry that Hamlet writes for Ophelia. The chapter then turns to consider th...
Community empowerment in landslide management in Sonyo hamlet
Community empowerment in landslide management in Sonyo hamlet
Soyo Hamlet is led by Mr. Suranto as the head of the hamlet. The hamlet itself consists of eight RTs with 173 family heads. The hamlet is located in a mountainous area in the Kulon...
(Re)Contextualizing gender representation in Hamlet
(Re)Contextualizing gender representation in Hamlet
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT AUTHOR'S REQUEST.] My dissertation "(Re)Contextualizing Gender Representation in Hamlet" argues that all Hamlets reflect their h...
Shakespeare in the Theatre
Shakespeare in the Theatre
William Poel (1852–1934), actor, director and author, began his acting career in 1876, deliberately choosing provincial touring in order to learn his craft. After a period as manag...

