Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Nice Words for Nasty Things

View through CrossRef
This chapter surveys the linguistic landscape of taboo avoidance and its role in word loss and meaning change. Freud invoked Carl Abel’s “universal phenomenon” of Gegensinn in support of his edict that there is no no in the unconscious. Languages typically do tolerate words that bear opposed or semantically unrelated senses. Only when homonyms share the same grammatical category and context of occurrence does one of them disappear. But in the case of taboo words, “Avoid Homonymy” extends to block word senses or uses even when no confusion would plausibly occur. In this linguistic correlate of Gresham’s Law, “bad” (= taboo) meanings force out “good” (= innocent) ones and generate lexical replacements, activating the “euphemism treadmill.” The potency of linguistic taboo is also on display in the psychology of “etymythology,” which reveals more about language users than the language used.
Title: Nice Words for Nasty Things
Description:
This chapter surveys the linguistic landscape of taboo avoidance and its role in word loss and meaning change.
Freud invoked Carl Abel’s “universal phenomenon” of Gegensinn in support of his edict that there is no no in the unconscious.
Languages typically do tolerate words that bear opposed or semantically unrelated senses.
Only when homonyms share the same grammatical category and context of occurrence does one of them disappear.
But in the case of taboo words, “Avoid Homonymy” extends to block word senses or uses even when no confusion would plausibly occur.
In this linguistic correlate of Gresham’s Law, “bad” (= taboo) meanings force out “good” (= innocent) ones and generate lexical replacements, activating the “euphemism treadmill.
” The potency of linguistic taboo is also on display in the psychology of “etymythology,” which reveals more about language users than the language used.

Related Results

About Cole Porter’s Songs
About Cole Porter’s Songs
This chapter considers how the lyrics and music of Cole Porter songs might be thought of in relation to one another in essentially musical and poetic structural terms. The goal is ...
Donald Rindale
Donald Rindale
Years ago, long before he was diagnosed with Asperger’s syndrome at the age of twenty-one, Donald Rindale described music as “the only love of my life.” It’s different for Donald n...
Syntactic Details
Syntactic Details
In Chapter 2 the author proposed that by ‘grey’ in ‘The patch looks grey to you’ we mean two things—the property of being grey, and a certain way of looking (which are distinct thi...
Summary
Summary
When we claim that some things matter, we might mean only that these things matter to people. Suffering matters, for example, in the sense that people care about suffering. No one ...
Il viaggio della traduzione
Il viaggio della traduzione
The book contains the addresses presented at the two conferences "Il viaggio della traduzione" and "Traduzione impossibile" held in 2006 at the School of the Doctorate in Modern Ph...
The Vinson Court
The Vinson Court
Spanning the years from 1946 until 1953, the Vinson Court made the legal transition from World War II to the Korean War, and the outspoken justices Felix Frankfurter and Hugo Black...
Falcon's Cry
Falcon's Cry
When Major Michael Donnelly was instructing his U.S. Air Force student pilots, he used to tell them three things: Timing is everything; it's nice to be lucky; and there is no justi...
The Words and Music of Melissa Etheridge
The Words and Music of Melissa Etheridge
Songwriter. Pop star. Gay activist. Cancer survivor. Advocate for cancer victims. Human being. Melissa Etheridge is all of these things, and all of these elements of who she is hav...

Back to Top