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Heroic Landscape with Watering Place, Riders, and Obelisk
View through The Met
Woodcut
Drawings and Prints, Metropolitan Museum of Art New York NY, Harris Brisbane Dick Fund 1926
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Waistcoat panels embroidered in coloured silks in chain stitch on cream silk satin, design depicting gardeners pushing wheelbarrows filled with turnips and other gardening implements (barrels, ladders, watering cans, rakes), a bird perched on a post. Smal
Waistcoat panels embroidered in coloured silks in chain stitch on cream silk satin, design depicting gardeners pushing wheelbarrows filled with turnips and other gardening implements (barrels, ladders, watering cans, rakes), a bird perched on a post. Smal
Waistcoat panels embroidered in coloured silks in chain stitch on cream silk satin, design depicting gardeners pushing wheelbarrows filled with turnips and other gardening implemen...
Fragment of architectural frieze plaque: armed riders (from frieze depicting procession of armed riders)
Fragment of architectural frieze plaque: armed riders (from frieze depicting procession of armed riders)
Fragment of a molded terracotta plaque, broken on all sides. Flat on the back. A great deal of brown dirt or accretion in the crevices.
Two armed riders on horses (two, though t...
Expulsion. Moon and Firelight
Expulsion. Moon and Firelight
“The whole landscape, which, seen by a favourable light, and in a genial temperature, had been found so lovely, appeared now like some pictured allegory of life, in which objects w...
Signal of Distress
Signal of Distress
In December 1890Winslow Homer wrote to his brother Charles, “I have got a fine picture called The Distress Signal a scene in mid ocean.” The painter was referring to the work in th...
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"The druids; or the conversion of the Britons to Christianity". Engraving by S.F. Ravenet, 1752, after F. Hayman.
"The druids; or the conversion of the Britons to Christianity". Engraving by S.F. Ravenet, 1752, after F. Hayman.
Lettering: The Druids, or the conversion of the Britons to Christianity....
Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art
Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art
The paper discusses twelve visual depictions that in all likelihood represent
St. Ignatios of Constantinople and were created between the ninth and the
thirteenth century. Mo...
The archaeology of the Roman fullonica
The archaeology of the Roman fullonica
In JRA 15 (2002) 20-44, M. Bradley argued that Roman fullers were not involved in the finishing of cloth as part of the textile-manufacturing process, but acted solely as commercia...
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