Javascript must be enabled to continue!
POETICS OF ZULFU LIVANELI’S FICTION
View through CrossRef
The article discusses the poetic features of the novel creativity of the famous contemporary Turkish fiction writer Z. Livaneli by the example of his two most popular novels “Serenade” (2011) and “My Brother’s Story” (2013). It is proved that the literature-centrism of Z. Livaneli’s poetics is determined by intertextual play with the clichés of “high” classics (romanticism, sentimentalism, realism, postmodernism) and “low” mass literature. The analysis of the writer’s literary strategies leads to the conclusion that the author is oriented toward a reader with the average level of competence in reading, which inevitably leads to the simplified form of intertextuality in his works (decoding quotes, allusions and clichés).
Title: POETICS OF ZULFU LIVANELI’S FICTION
Description:
The article discusses the poetic features of the novel creativity of the famous contemporary Turkish fiction writer Z.
Livaneli by the example of his two most popular novels “Serenade” (2011) and “My Brother’s Story” (2013).
It is proved that the literature-centrism of Z.
Livaneli’s poetics is determined by intertextual play with the clichés of “high” classics (romanticism, sentimentalism, realism, postmodernism) and “low” mass literature.
The analysis of the writer’s literary strategies leads to the conclusion that the author is oriented toward a reader with the average level of competence in reading, which inevitably leads to the simplified form of intertextuality in his works (decoding quotes, allusions and clichés).
Related Results
ABORDĂRI GEOCRITICE ÎN PROZA LUI ZÜLFÜ LIVANELI
ABORDĂRI GEOCRITICE ÎN PROZA LUI ZÜLFÜ LIVANELI
The spatial turn in literary studies prompts the exploration of cultural
identities by reevaluating theoretical and critical tools, with a particular focus on spaces,
places, and d...
Cute and Monstrous Furbys in Online Fan Production
Cute and Monstrous Furbys in Online Fan Production
Image 1: Hasbro/Tiger Electronics 1998 Furby. (Photo credit: Author) Introduction Since the mid-1990s robotic and digital creatures designed to offer social interaction and compa...
Asking for Trouble
Asking for Trouble
The first thing you do when you begin your PhD is label your Endnote library “the woods.” Your supervisor has warned you: you must not get lost. I know you, your supervisor says,...
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Tekstualni subjekt u poeziji Marije Stepanove od 2001. do 2017. godine
Maria Stepanova (b. 1972) is a contemporary Russian poet who has emerged in recent decades as one of the most original and complex voices on the poetically highly heterogeneous and...
Processes in the literature of 1990s-2000s Turkiye
Processes in the literature of 1990s-2000s Turkiye
This study focuses on the situation in Türkiye's literature during the 1990s and 2000s. It was marked by a dramatic paradigm shift in the attitudes of creators, the desacr...
Fiction Institutions
Fiction Institutions
This chapter explains what fiction institutions are and what it is for a work to be fiction rather than non-fiction. It outlines Guala’s account of institutions as systems of regul...
Integrating Artificial Intelligence in Naruto Fan Fiction Writing: A Case Study
Integrating Artificial Intelligence in Naruto Fan Fiction Writing: A Case Study
The paper highlights communicative, ethical, and educational aspects of AI applications for fan fiction writing. This study is the first attempt to analyze opportunities and academ...
Detective/Crime Fiction
Detective/Crime Fiction
Crime fiction, also known as detective fiction, is a major genre of twentieth‐century world fiction in terms of number of titles, sales, and variety, though some critics view it as...

