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Survey on the adaptation of The Three Kingdoms into Cai Luong – Vietnamese reformed theater style

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Studying the process of adapting the masterpiece The Three Kingdoms into Cai Luong – Vietnamese reformed theatre, we can see that this adaptation process of The Three Kingdoms fictions is quite suitable for the tastes of the public in terms of art. In particular, it has a great attraction to the composers, urging them to create and transform it into reformed theater style. When researching this issue, the article considers them as a cultural product that is influenced by many different objective and subjective factors such as historical and cultural beliefs and intrinsic values of the original masterpiece itself. At the same time, the article provides a list of a number of reformed dramas from The Three Kingdoms fictions in Vietnam from the 1920s to the present. At the same time, the writer has conducted a preliminary analysis on the process of adapting The Three Kingdoms fictions into Cai Luong – a Vietnamese reformed theater style. This helps the receiver to generally visualize the nation's ceaseless creativity in the works that transform literature masterpieces into Vietnamese reformed theater style, including The Three Kingdoms in a systematic way. This transformation also shows the strong vitality of The Three Kingdoms in Vietnam.
Title: Survey on the adaptation of The Three Kingdoms into Cai Luong – Vietnamese reformed theater style
Description:
Studying the process of adapting the masterpiece The Three Kingdoms into Cai Luong – Vietnamese reformed theatre, we can see that this adaptation process of The Three Kingdoms fictions is quite suitable for the tastes of the public in terms of art.
In particular, it has a great attraction to the composers, urging them to create and transform it into reformed theater style.
When researching this issue, the article considers them as a cultural product that is influenced by many different objective and subjective factors such as historical and cultural beliefs and intrinsic values of the original masterpiece itself.
At the same time, the article provides a list of a number of reformed dramas from The Three Kingdoms fictions in Vietnam from the 1920s to the present.
At the same time, the writer has conducted a preliminary analysis on the process of adapting The Three Kingdoms fictions into Cai Luong – a Vietnamese reformed theater style.
This helps the receiver to generally visualize the nation's ceaseless creativity in the works that transform literature masterpieces into Vietnamese reformed theater style, including The Three Kingdoms in a systematic way.
This transformation also shows the strong vitality of The Three Kingdoms in Vietnam.

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