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Woman with Pitcher and Bowl
View through Harvard Museums
Standing with the weight shifted to one leg and the other slightly advanced, this woman holds a pitcher in her proper right hand and a shallow bowl (a phiale mesomphalos, with a central “navel” or boss) in her left. These attributes indicate that she is about to pour a libation, most likely at an altar in a sanctuary or domestic setting. She is dressed in a peplos, a one-piece woolen garment pinned at the shoulders and belted at the waist. Her hair is covered by a bonnet. The figure stands on a base and is tilted toward the back. Of reddish-brown terracotta with remains of a white slip, it is hollow throughout, with a large rectangular vent hole at back. It was likely made in Attica or neighboring Boeotia. In its current state, the statuette is reassembled from several fragments.
Department of Ancient and Byzantine Art & Numismatics
Louis-Joseph-Raphaël Collin [1] Paris (by 1890-1911) sold; to William A. Clark [2] New York (by 1911-1925) bequest; to Corcoran Gallery of Art Washington D.C. (1926-2018) [3] transferred; to American University Museum Washington D.C. (2018-2021) sold; [through Sands of Time Washington D.C.]; to Harvard Art Museums 2022.
1. Louis-Joseph-Raphaël Collin (1850-1916)
2. William Andrews Clark (1839-1925)
3. Following the closure of the Corcoran Gallery in 2014 its collections were physically transferred to the National Gallery of Art (Washington D.C.); the Corcoran Board of Trustees retained ownership until the collections were officially transferred to and accessioned into other museums’ collections (in 2018 in this case).
Harvard Art Museums/Arthur M. Sackler Museum Kelekian Fund
Title: Woman with Pitcher and Bowl
Description:
Standing with the weight shifted to one leg and the other slightly advanced, this woman holds a pitcher in her proper right hand and a shallow bowl (a phiale mesomphalos, with a central “navel” or boss) in her left.
These attributes indicate that she is about to pour a libation, most likely at an altar in a sanctuary or domestic setting.
She is dressed in a peplos, a one-piece woolen garment pinned at the shoulders and belted at the waist.
Her hair is covered by a bonnet.
The figure stands on a base and is tilted toward the back.
Of reddish-brown terracotta with remains of a white slip, it is hollow throughout, with a large rectangular vent hole at back.
It was likely made in Attica or neighboring Boeotia.
In its current state, the statuette is reassembled from several fragments.
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