Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Refusing Eighteenth-Century Fictions: Introduction

View through CrossRef
In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief” by arguing that the relationship between these categories depends as much on existing structures of authority and power as it does on individual judgment or feeling. We then describe the objectives of the two-part ECF special issue “Refusing 18th-Century Fictions”: to provide critical analyses of how particular eighteenth-century fictions attained the status of material realities that continue to condition lived worlds in the twenty-first century, and to prompt ongoing and future efforts to imagine and materialize realities beyond racial capitalism and settler colonialism.
University of Toronto Press Inc. (UTPress)
Title: Refusing Eighteenth-Century Fictions: Introduction
Description:
In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief” by arguing that the relationship between these categories depends as much on existing structures of authority and power as it does on individual judgment or feeling.
We then describe the objectives of the two-part ECF special issue “Refusing 18th-Century Fictions”: to provide critical analyses of how particular eighteenth-century fictions attained the status of material realities that continue to condition lived worlds in the twenty-first century, and to prompt ongoing and future efforts to imagine and materialize realities beyond racial capitalism and settler colonialism.

Related Results

Nature Transformed: English Landscape Gardens and <i>Theatrum Mundi</i>
Nature Transformed: English Landscape Gardens and <i>Theatrum Mundi</i>
IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotom...
Languaging as refusal
Languaging as refusal
How are we refusing to be the bridge in ‘diversity’ responses in academia? What processes open up when we refuse the word and the singular language of ‘borders’ circulating in bord...
Refusing Eighteenth-Century Fictions: Introduction
Refusing Eighteenth-Century Fictions: Introduction
In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief ” by arguing that the relationship between these categories depends as much on...
“Endeavouring” and Other Eighteenth-Century Fictions
“Endeavouring” and Other Eighteenth-Century Fictions
The terminology we use in eighteenth-century studies needs to encompass both the period’s and the field’s global reach. James Cook’s ship HMS Endeavour provides a starting point fo...
Rolul constructelor ficționale în filosofia lui Hans Vaihinger
Rolul constructelor ficționale în filosofia lui Hans Vaihinger
Man’s aspiration towards the ideal can be found both in science and in phenomenal experience, in the questions “in what way?” or “how?”. From this methodological, scientific or emp...
The Glove as Fetish Object in Eighteenth-Century Fiction and Culture
The Glove as Fetish Object in Eighteenth-Century Fiction and Culture
This essay focuses on eighteenth-century women’s gloving practices and representations of women’s gloves in the period. Through close readings of the gloving scenes in William Hoga...
CHARLES WESLEY, METHODISM AND NEW ART MUSIC IN THE LONG EIGHTEENTH CENTURY
CHARLES WESLEY, METHODISM AND NEW ART MUSIC IN THE LONG EIGHTEENTH CENTURY
ABSTRACTThis article considers eighteenth- and early nineteenth-century Methodism's relationship with art music through the original settings of poetry by Charles Wesley by five no...

Back to Top