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Alvin Lucier (b. 1931)
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Kuivila notes that at the time of the interview Lucier was interested in sonic effects at the edge of musical focus. Childs and Lucier discuss synthesizers as a form of technology; instrumentation as culture; Sonic Arts Union and Europe; brainwaves and echolocation; art in environment; acoustics and engineering. Lucier introduces the Indonesian view of art; occult and alchemy; Pauline Oliveros and female wisdom; Mao; choral directing; ethnomusicology; politics. He talks about his piece I Am Sitting in a Room; mixing cultures; Native American chant; his work in the ONCE group; transformation; speech and stuttering; Cardew on Cage and Stockhausen; and The Queen of the South.
Title: Alvin Lucier (b. 1931)
Description:
Kuivila notes that at the time of the interview Lucier was interested in sonic effects at the edge of musical focus.
Childs and Lucier discuss synthesizers as a form of technology; instrumentation as culture; Sonic Arts Union and Europe; brainwaves and echolocation; art in environment; acoustics and engineering.
Lucier introduces the Indonesian view of art; occult and alchemy; Pauline Oliveros and female wisdom; Mao; choral directing; ethnomusicology; politics.
He talks about his piece I Am Sitting in a Room; mixing cultures; Native American chant; his work in the ONCE group; transformation; speech and stuttering; Cardew on Cage and Stockhausen; and The Queen of the South.
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