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Hypocrite Telespectateur ‐ Mon Semblable ‐ Mon Frère

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Hypocrite Telespectateur - Mon Semblable - Mon FrereIt was with a certain sense of guilt that in the depths of this cruel winter I abandoned, briefly, both London and the cinema to take off for Monte Carlo and television. A new kind of festival altogether for me, this, though the sixth actually to be organized by UNDA, the international co-ordinating body for Catholic television; and one which in the event turned out to be both rewarding and salutary. Five to six hours of television a day, however, proved to be considerably more taxing to the eyes than an equivalent amount of the larger screen; and since the entries were divided into three categories there was, inevitably, a certain sameness within each category. The shortest programme lasted eight minutes and the longest sixty, though most of them fell between twenty-five and forty minutes; it certainly seemed, on balance, that half an hour was the ideal length from the spectator’s point of view, though this may well be frustrating to the producer. Three out of the five prize-winners were programmes of precisely thirty minutes, it is relevant to note.A few factual details may be of interest. Twelve countries, mostly from Western Europe, though the United States and French Canada were also represented, submitted entries for the competition and each competing country had one member on the jury, though this was not necessarily the head of their delegation. Entries were limited in number and selected by a preparatory commission; different production companies from the same country could compete in the same section - thus there were two German companies, and from this country both BBC and ITV put in programmes. Countries with autonomous hierarchies, like Scotland, were entitled to separate delegations and entries.
Cambridge University Press (CUP)
Title: Hypocrite Telespectateur ‐ Mon Semblable ‐ Mon Frère
Description:
Hypocrite Telespectateur - Mon Semblable - Mon FrereIt was with a certain sense of guilt that in the depths of this cruel winter I abandoned, briefly, both London and the cinema to take off for Monte Carlo and television.
A new kind of festival altogether for me, this, though the sixth actually to be organized by UNDA, the international co-ordinating body for Catholic television; and one which in the event turned out to be both rewarding and salutary.
Five to six hours of television a day, however, proved to be considerably more taxing to the eyes than an equivalent amount of the larger screen; and since the entries were divided into three categories there was, inevitably, a certain sameness within each category.
The shortest programme lasted eight minutes and the longest sixty, though most of them fell between twenty-five and forty minutes; it certainly seemed, on balance, that half an hour was the ideal length from the spectator’s point of view, though this may well be frustrating to the producer.
Three out of the five prize-winners were programmes of precisely thirty minutes, it is relevant to note.
A few factual details may be of interest.
Twelve countries, mostly from Western Europe, though the United States and French Canada were also represented, submitted entries for the competition and each competing country had one member on the jury, though this was not necessarily the head of their delegation.
Entries were limited in number and selected by a preparatory commission; different production companies from the same country could compete in the same section - thus there were two German companies, and from this country both BBC and ITV put in programmes.
Countries with autonomous hierarchies, like Scotland, were entitled to separate delegations and entries.

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