Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Masterpieces of Oriental Art. 11: South Indian Figure Sculpture, 7th to 10th century A.D.
View through CrossRef
There is an aspect of the development of South Indian figure A sculpturebetween the seventh and tenth centuries a.d. that has received little attention, namely the stylistic relation of bronzework to stone sculpture, and in particular the reciprocal influences of the two different techniques, modelling and carving, on the formation of a single characteristic Coḷa style in the tenth and eleventh centuries.
Title: Masterpieces of Oriental Art. 11: South Indian Figure Sculpture, 7th to 10th century A.D.
Description:
There is an aspect of the development of South Indian figure A sculpturebetween the seventh and tenth centuries a.
d.
that has received little attention, namely the stylistic relation of bronzework to stone sculpture, and in particular the reciprocal influences of the two different techniques, modelling and carving, on the formation of a single characteristic Coḷa style in the tenth and eleventh centuries.
Related Results
Turco-Sogdian Documents from 9th–10th Century Dunhuang. By Nicholas Sims-Williams and James Hamilton. Translated by Nicholas Sims-Williams, with an appendix by Wen Xin
Turco-Sogdian Documents from 9th–10th Century Dunhuang. By Nicholas Sims-Williams and James Hamilton. Translated by Nicholas Sims-Williams, with an appendix by Wen Xin
Turco-Sogdian Documents from 9th–10th Century Dunhuang. By Nicholas Sims-Williams and James Hamilton. Translated by Nicholas Sims-Williams, with an appendix by...
Sol Tax and Tribal Sovereignty
Sol Tax and Tribal Sovereignty
Nancy Oestreich Lurie is curator emerita of anthropology, Milwaukee Public Museum (MPM). This article draws upon her first-hand knowledge of the American Indian scene including ong...
Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology?
Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology?
In Sri Lanka, the various groups of Tamils are jointly the largest minority group who migrated from different places of South India and in different time periods. South Indian musi...
The Bronze Fragments of the Acropolis: II
The Bronze Fragments of the Acropolis: II
To any student of early Greek bronze ornament the works of Dr. Furtwaengler on the Olympian bronzes must be well known, and as he has dealt at length with the development of patter...
Crucifixion and Death as Spectacle: Umayyad Crucifixion in Its Late Antique Context. By Sean W. Anthony
Crucifixion and Death as Spectacle: Umayyad Crucifixion in Its Late Antique Context. By Sean W. Anthony
Crucifixion and Death as Spectacle: Umayyad Crucifixion in Its Late Antique Context. By Sean W. Anthony. American Oriental Series, vol. 96. New Haven: American...
The Surrogacy Literacy of the Indian Surrogate: The Filmy Way
The Surrogacy Literacy of the Indian Surrogate: The Filmy Way
According to narrative theories, fiction and non-fiction literature are text types that can manifest themselves in different mediums. Cinema is a medium that imitates both text typ...
Three Bronze Figures from Asia Minor
Three Bronze Figures from Asia Minor
This little archaic figure (Figs) I purchased in 1901 at Vathy in Samos, and with it a fine bronze sword, of which hereafter. The peasant who sold it to the Samian from whom I got ...
“Time to Show Our True Colors”
“Time to Show Our True Colors”
Facing marginalization in the political context of the “new South Africa” and lost social and economic privileges under a Black government, South African Indians articulate the nee...