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“The Beggar’s Opera”: the Genre Specifics and the Concept
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В данной статье Опера Нищего Гэя Пепуша рассматривается сама по себе и как модель для Трехгрошовой оперы Брехта Вайля и Оперы Нищей Бриттена Гатри. Три версии Оперы принципиально неравны и представлены в тексте как явления культуры, жанрово ориентированные на широкую публику.
In this article I describe John Gay and Johann Pepuschs The Beggars Opera by itself and as a model for Bertolt Brecht and Kurt Weills The Threepenny Opera and Benjamin Britten and Tyrone Guthries The Beggars Opera. There are three fundamentally unequal different versions of this spectacle, which the article shows as the cultural manifestations appealing to a broad public.
St. Petersburg State Conservatoire named after Rimsky-Korsakov
Title: “The Beggar’s Opera”: the Genre Specifics and the Concept
Description:
В данной статье Опера Нищего Гэя Пепуша рассматривается сама по себе и как модель для Трехгрошовой оперы Брехта Вайля и Оперы Нищей Бриттена Гатри.
Три версии Оперы принципиально неравны и представлены в тексте как явления культуры, жанрово ориентированные на широкую публику.
In this article I describe John Gay and Johann Pepuschs The Beggars Opera by itself and as a model for Bertolt Brecht and Kurt Weills The Threepenny Opera and Benjamin Britten and Tyrone Guthries The Beggars Opera.
There are three fundamentally unequal different versions of this spectacle, which the article shows as the cultural manifestations appealing to a broad public.
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