Καλοσ καi aγαθoσ Понтійського елліна

Dans ce commentaire des lignes 114 c 7-d 8 du Phédon, l'expression καλός κίνδυνος est expliquée par référence à des textes d'Isocrate et de Lysias ; elle désigne non un risque qu'i...

“Frailty, thy name is woman!” suggests our bard, Adam Mickiewicz, drawing attention to the complexity of a woman’s nature. Indeed, the multifaceted nature of female characters make...

Holograms were written in a short-circuited antireflection-coated crystal of iron-doped lithium niobate, using essentially uniform illumination of the whole crystal to minimize lig...

Abstract Between about 560 and 525 bc (i.e. in the Peisistratan era), many Athenian potters and painters produced a particular type of wine-cup, usually called the ‘...

Le satyre casseur (pp. 75-92) Critiquant sa première lecture d'inspiration religieuse, l'auteur propose une nouvelle solution dans un cadre historique et politique. La fureur...

Hartwig was the first writer to give a detailed account of the important painter who for the sake of convenience may be called Kleophrades. Nine vases are assigned by the author of...

Kalos -inscriptions identify historical individuals, gods, heroes, even horses, as objects of amorous attention in Athens in the sixth and fifth centuries ...

Este estudo tem por objetivo principal abordar a segunda definição de belo (καλός) oferecida pelo sofista Hípias de Élis no diálogo Hípias Maior de Platão. Após o fracasso da prime...