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Rewriting the Myth of Atalanta: Cross-Dressing and Gender Equality in Emily Hauser’s For the Winner
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This article studies Emily Hauser’s For the Winner (2017), a contemporary reimagining of the myth of Atalanta. This novel belongs to a women-authored literary mode that gives prominence and a voice to classical female characters and myths. Close examination of the politics of cross-dressing, as well as how Atalanta’s mythic identity is reconstructed as a heroine undaunted by gender lines reveals that Hauser’s approach constitutes a central site for ascribing meanings of determination, agency, and gender equality, thus culturally repositioning the male-centredness of her canonical representations and providing a feminist reinscription of the myth.
Title: Rewriting the Myth of Atalanta: Cross-Dressing and Gender Equality in Emily Hauser’s For the Winner
Description:
This article studies Emily Hauser’s For the Winner (2017), a contemporary reimagining of the myth of Atalanta.
This novel belongs to a women-authored literary mode that gives prominence and a voice to classical female characters and myths.
Close examination of the politics of cross-dressing, as well as how Atalanta’s mythic identity is reconstructed as a heroine undaunted by gender lines reveals that Hauser’s approach constitutes a central site for ascribing meanings of determination, agency, and gender equality, thus culturally repositioning the male-centredness of her canonical representations and providing a feminist reinscription of the myth.
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