Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Afterword

View through CrossRef
Abstract This chapter sums up the vision of Appian and his Roman History that previous chapters have established. Source criticism has been (and continues to be) useful in studying the Roman History, but it has its limitations. Insistence on what is known about elements of Appian’s biography in earlier scholarship has likewise been helpful in noting the significance of his attachment to Alexandria and his status as an Antonine Roman historian, but it has sometimes sought in Appian an addiction to administrative detail which the Roman History simply does not display. The present study has looked at narrative patterns across the Roman History as a whole (so far as extant), and shown that Appian’s portrayal of key individuals and historical trends is illuminated once one observes his practice of ‘repetition with variation’ across multiple books of his work. Reading Appian with an eye to the larger Greco-Roman historiographical tradition shows that Appian is both a historian in a mould largely recognizable from elsewhere in the ancient world and a writer with very particular interests (the weird and wonderful, rational optimism, notable instances of virtue) whose idiosyncratic narrative structures enable him to keep these interests to the fore.
Oxford University PressOxford
Title: Afterword
Description:
Abstract This chapter sums up the vision of Appian and his Roman History that previous chapters have established.
Source criticism has been (and continues to be) useful in studying the Roman History, but it has its limitations.
Insistence on what is known about elements of Appian’s biography in earlier scholarship has likewise been helpful in noting the significance of his attachment to Alexandria and his status as an Antonine Roman historian, but it has sometimes sought in Appian an addiction to administrative detail which the Roman History simply does not display.
The present study has looked at narrative patterns across the Roman History as a whole (so far as extant), and shown that Appian’s portrayal of key individuals and historical trends is illuminated once one observes his practice of ‘repetition with variation’ across multiple books of his work.
Reading Appian with an eye to the larger Greco-Roman historiographical tradition shows that Appian is both a historian in a mould largely recognizable from elsewhere in the ancient world and a writer with very particular interests (the weird and wonderful, rational optimism, notable instances of virtue) whose idiosyncratic narrative structures enable him to keep these interests to the fore.

Related Results

Afterword: Unsettling Feminism
Afterword: Unsettling Feminism
This afterword considers The Power of the Dog and takes up the themes traversed throughout this volume in a consideration of Campion’s latest work. In Cooper’s view, the film invit...
Afterword
Afterword
The Afterword examines publications and disclosures made about the connection between A. Alvarez and Sylvia Plath since the first publication of The Alvarez Generation. Its own lo...
Afterword
Afterword
This Afterword provides an overview of Byrd scholarship in the three decades from the publication of Byrd Studies (Cambridge, 1992), to the appearance of Byrd Studies in the Twenty...
Afterword
Afterword
The afterword summarizes Zelazny’s posthumous publications while noting the falling off of academic criticism of Zelazny’s work. It also notes several signs of increased interest i...
Afterword
Afterword
This Afterword argues that the history of literary languages in the long nineteenth century is one of conflict between a desire for local authenticity and the global extension of a...
Afterword
Afterword
Afterword to the chapter Globalization and Militarism: Feminists Make the Link, 2nd ed., p. 77-98. The afterword is written exclusively for this issue of Women, Gender & Resear...
Afterword: Documenting Performance across the Medieval/Modern Frontier
Afterword: Documenting Performance across the Medieval/Modern Frontier
As an afterword to the special issue of JMEMS “Performance beyond Drama,” this essay reflects on the complex ways that premodern performances and their embodied actors are captured...
Afterword: Publishing an academic edition ofFrom Man to Man or Perhaps Only —in South Africa
Afterword: Publishing an academic edition ofFrom Man to Man or Perhaps Only —in South Africa
This afterword to the written symposium “Between ‘the lights and shadows’: Reading the new edition of Olive Schreiner’s From Man to Man or Perhaps Only —” contains an interview wit...

Back to Top