Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Noir Affect

View through CrossRef
The essays in Noir Affect articulate the importance of understanding negative affect and argue that noir is a privileged medium for doing so. Ranging, in its discussion, among a range of media and national contexts, the volume sees noir as a contemporary phenomenon as much as a historical one. Reconceptualized as defined by negative affect, noir becomes a crucial site for thinking about death, decay, anxiety, rage, sadness, guilt, shame, resentment, loss, and the erotic attachment to death. It also becomes a locus of protest and refusal against the boosterish rhetorics of capitalism. The essays in the book argue for the social and political work done by noir affect. Taken together, they make the argument for noir as a vibrant contemporary medium. They also make the argument for negative affect as a crucial political dynamic, one that is underappreciated in many theories of affect. Readers will emerge from the collection with a new understanding of both noir and affect.
Fordham University Press
Title: Noir Affect
Description:
The essays in Noir Affect articulate the importance of understanding negative affect and argue that noir is a privileged medium for doing so.
Ranging, in its discussion, among a range of media and national contexts, the volume sees noir as a contemporary phenomenon as much as a historical one.
Reconceptualized as defined by negative affect, noir becomes a crucial site for thinking about death, decay, anxiety, rage, sadness, guilt, shame, resentment, loss, and the erotic attachment to death.
It also becomes a locus of protest and refusal against the boosterish rhetorics of capitalism.
The essays in the book argue for the social and political work done by noir affect.
Taken together, they make the argument for noir as a vibrant contemporary medium.
They also make the argument for negative affect as a crucial political dynamic, one that is underappreciated in many theories of affect.
Readers will emerge from the collection with a new understanding of both noir and affect.

Related Results

Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir
Peripheral Noir, Mediation, and Capitalism: Noir Form, Noir Mediascape, Sociological Noir
This chapter reframes noir from the semi-peripheral space of Mexican cinema. The chapter studies noir in Mexican cinema and literature in the context of the history of Fordist capi...
Epäilyksen musiikki ja anteeksiannon montaasi
Epäilyksen musiikki ja anteeksiannon montaasi
Artikkeli käsittelee yhteisön affektiivista kuvaa nordic noir -televisiosarjan Kaikki synnit (ohj. Mika Ronkainen) musiikissa. Nordic noirin lajityyppiin kuuluu keskeisenä affektin...
6. The afterlife of noir
6. The afterlife of noir
Noir continues to be an unusually flexible, pervasive, and durable mood or narrative tendency, embracing different media and different national cultures. Its moods and imagery have...
Emotional Tone of Dreams and Daily Affect
Emotional Tone of Dreams and Daily Affect
Abstract One theoretical function of dreams is emotion processing. However, few studies have examined how daily emotions in waking life (i.e., daytime affect) affect...
The reception of American and French film noir in post-war Greece, 1945‐58
The reception of American and French film noir in post-war Greece, 1945‐58
The aim of this article is to examine the distribution, promotion and critical reception of American and French film noir in Greece from 1944 to 1958 and to shed light to the reaso...
Butch Noir
Butch Noir
This article puts the generic concept of “butch noir” in dialogue with queer theories of temporality. Reworking the 1980s performance category of dyke noir that was used to describ...
L’italia nello specchio del “noir”
L’italia nello specchio del “noir”
The term “noir” is often used nowadays as a synonym to “detective story”, sometimes without a clear differentiation between the two. In fact, “noir” refers to a recent phase of the...
The Yards (James Gray, 2000): neo-noir as generic hybrid
The Yards (James Gray, 2000): neo-noir as generic hybrid
Résumé The Yards (James Gray, 2000) is a thriller whose connection to the genre of film noir or to its more recent neo-noir variation is problematic, since it apparently fails to e...

Back to Top