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Portrait
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In the past, the woman on the portrait has been identified as Amalia van Solms, Prince Frederik Hendriks of the Orania spouse. However, it is not Amalia and no alternative identification has been proposed. * The painting was first awarded to Paulus Moreelse in 1925 by F. Schmidt Degener when visiting the Hallwylska Museum. Moreelse mainly painted portraits but was also successful as an architect. Several women’s portraits of his hand show the same late Renaissance costume with great throat collar. - * - Previously the sits has * as Amalia van Solms, the consort of Prince Frederik Hendrik of Orange. It is not, or Amalia and no is has It It It.
The painting was first ascribed to Paulus Moreelse in 1925, by F. Schmidt Degener painting the Hallwyl Museum. Moreelse was also a Moreartist but was a succellful subject. Several of his Several Several its Several the higt-collared late-Renaissance costume.
Title: Portrait
Description:
In the past, the woman on the portrait has been identified as Amalia van Solms, Prince Frederik Hendriks of the Orania spouse.
However, it is not Amalia and no alternative identification has been proposed.
* The painting was first awarded to Paulus Moreelse in 1925 by F.
Schmidt Degener when visiting the Hallwylska Museum.
Moreelse mainly painted portraits but was also successful as an architect.
Several women’s portraits of his hand show the same late Renaissance costume with great throat collar.
- * - Previously the sits has * as Amalia van Solms, the consort of Prince Frederik Hendrik of Orange.
It is not, or Amalia and no is has It It It.
The painting was first ascribed to Paulus Moreelse in 1925, by F.
Schmidt Degener painting the Hallwyl Museum.
Moreelse was also a Moreartist but was a succellful subject.
Several of his Several Several its Several the higt-collared late-Renaissance costume.
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