Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Weaving a Tapestry from Biblical Exegesis to Romance Textuality

View through CrossRef
This study examines how the particular character of Grail romances follows from the incongruous meeting of courtly and Christian discourses, combined for the first time in LeConte du Graal, Chrétien de Troyes’s last, unfinished romance. The romancer’s unsettling inclusion of religious issues within Arthurian narrative coincides with a new turn toward the Bible’s literal and historical sense observable in both Christian and Jewish biblical exegesis. By investigating features shared by romance and exegesis, we can glimpse how a number of issues involving representation and interpretation disseminate through later Grail stories, as the romancer’s inaugural gestures structure how rewriters negotiate the complexities of their enigmatic model. Divided into three sections, the chapter first treats the littera’s historical aspects and its arrangements (order, sequence, context). The second section examines the shifting relation between literal and allegorical senses, in order to explore the exegetical surprises of Chrétien’s prologue in the third.
Title: Weaving a Tapestry from Biblical Exegesis to Romance Textuality
Description:
This study examines how the particular character of Grail romances follows from the incongruous meeting of courtly and Christian discourses, combined for the first time in LeConte du Graal, Chrétien de Troyes’s last, unfinished romance.
The romancer’s unsettling inclusion of religious issues within Arthurian narrative coincides with a new turn toward the Bible’s literal and historical sense observable in both Christian and Jewish biblical exegesis.
By investigating features shared by romance and exegesis, we can glimpse how a number of issues involving representation and interpretation disseminate through later Grail stories, as the romancer’s inaugural gestures structure how rewriters negotiate the complexities of their enigmatic model.
Divided into three sections, the chapter first treats the littera’s historical aspects and its arrangements (order, sequence, context).
The second section examines the shifting relation between literal and allegorical senses, in order to explore the exegetical surprises of Chrétien’s prologue in the third.

Related Results

Still Reading Romance
Still Reading Romance
In a world that commodifies feminism, is adapting romance novels for small and big screen projects, and the Romance Writers Association is evolving to a more inclusive representati...
The Wonder of Middle English Romance
The Wonder of Middle English Romance
Marvels and the marvellous are synonymous with medieval romance. Yet scholars often express disappointment at the wonders they find in Middle English romance. This chapter asks a s...
BLACK/TIME/LINES/WHITE/TIME/LINES
BLACK/TIME/LINES/WHITE/TIME/LINES
The output is a wall mounted artwork consisting of two wooden panels, each measuring 100cm x 100cm x 6cm, covered in vertical woven strips. The strips are long and narrow, woven on...
Chaucer and the Invention of Biblical Narrative
Chaucer and the Invention of Biblical Narrative
Demonstrating how Chaucer uses the Bible inThe Canterbury Talesas an authoritative literary source and model for his own literary production, this book explores the ways in which t...
Bibles in Popular Cultures
Bibles in Popular Cultures
Supporting the theory that there is no singular ‘Bible’, and the idea that biblical literacy is demonstrated in a multitude of ways beyond confessional interpretations of biblical ...
Early Modern Biblical Commentary and Jonathan Edwards
Early Modern Biblical Commentary and Jonathan Edwards
Adriaan C. Neele introduces the early modern context of biblical interpretation by discussing Matthew Poole’s Synopsis Criticorum aliorumque Sacrae Scripturae (1669–1674), a freque...
The Bible and Comics
The Bible and Comics
This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previ...
Spinoza’s Biblical Criticism
Spinoza’s Biblical Criticism
Chapter 1 homes in on Spinoza as a Bible critic. Based on existing historiography, it parses the main relevant historical contexts in which Spinoza came to articulate his analysis ...

Back to Top