Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

True or False? A void is always a negative space.

View through Harvard Museums
Department of Photographs Rita DeWitt Hattiesburg Mississippi sold to the Fogg Art Museum 1982. Harvard Art Museums/Fogg Museum National Endowment for the Arts Grant
Title: True or False? A void is always a negative space.
Description not available.

Related Results

"Because of the void everything is possible. Without the void nothing is possible.", Written in Bold Black Script
"Because of the void everything is possible. Without the void nothing is possible.", Written in Bold Black Script
This large, horizontally oriented, rectangular album leaf is inscribed with seven columns of text, the columns with varying numbers of characters. The calligraphy on this album lea...
Large Stirrup Jar
Large Stirrup Jar
Large ovoid stirrup jar. Broad ring base. Rounded body with maximum diameter above center. Broad shoulder with narrow, tubular spout and slightly flaring rim, positioned vertically...
Box to Keep the Void from "Materials Lab" (book to be sent by artist to be enclosed in box)
Box to Keep the Void from "Materials Lab" (book to be sent by artist to be enclosed in box)
Box 25A, Box to Keep the Void, from "Materials Lab" Archival materials include: - 1 installation shot of Box to Keep the Void, 2005....
Luminescence
Luminescence
In 1925, at the first exhibition of the OST, the painter I. Kudriashov presented two series of paintings: the Construction of Straight Line Movement and the Construction of Curvili...
Letters
Letters
Letter undated from John Bauer to Ester Ellqvist, consisting of six pages written on the front and back of two sheets of paper, the first weight. Main writing handwritten in ink, w...
Into John Olsen's 'Edge of the Void'
Into John Olsen's 'Edge of the Void'
Behold John Olsen’s ‘Edge of the Void’, a suite of six original highly-collectible etchings. Dated 1975, these works are represented at the NGV and AGNSW, and published in two mono...
Spatial Conception
Spatial Conception
Early in his career, Fontana, a sculptor’s son, had concentrated solely on sculpture. In 1948, he began puncturing and, later, slicing canvases, creating what he called Concetti sp...

Back to Top