Javascript must be enabled to continue!
An Analysis and Research on the Characteristics of Chinese Jin Opera Costume Art
View through CrossRef
Originating from the heart of Shanxi, China, Jin opera, known as "Zhong Lu Bang Zi," manifests as a regional opera that has assimilated the melodious songs and rhythmic tunes of the Shanxi populace and the central region. Consequently, it has matured into a distinctive genre of operatic performance. Correspondingly, the traditional costumes worn by the characters in Jin opera have evolved in unison with the development of Chinese opera, ultimately giving rise to a distinguished system of attire during the illustrious Chinese Ming Dynasty the traditional costume designs within Jin opera intricately reflect a distinct structure, resplendent with a vibrant palette and ornate patterns, seamlessly carrying forth the quintessential features intrinsic to ancient Chinese opera costumes. To illuminate this subject matter, this research endeavors to adopt a qualitative research methodology, meticulously analyzing the myriad styles, colors, and fabrics employed in Jin opera costumes. Moreover, it diligently categorizes and delves into the inherent characteristics embodied by these costumes duringJin opera performances. By employing poignant examples as illustrative evidence, this study succinctly encapsulates the artistic attributes that hallmark Jin opera costumes. Furthermore, it expounds upon the present state of research pertaining to Jin opera costumes, while concurrently furnishing theoretical frameworks to guide their sustainable development.
Title: An Analysis and Research on the Characteristics of Chinese Jin Opera Costume Art
Description:
Originating from the heart of Shanxi, China, Jin opera, known as "Zhong Lu Bang Zi," manifests as a regional opera that has assimilated the melodious songs and rhythmic tunes of the Shanxi populace and the central region.
Consequently, it has matured into a distinctive genre of operatic performance.
Correspondingly, the traditional costumes worn by the characters in Jin opera have evolved in unison with the development of Chinese opera, ultimately giving rise to a distinguished system of attire during the illustrious Chinese Ming Dynasty the traditional costume designs within Jin opera intricately reflect a distinct structure, resplendent with a vibrant palette and ornate patterns, seamlessly carrying forth the quintessential features intrinsic to ancient Chinese opera costumes.
To illuminate this subject matter, this research endeavors to adopt a qualitative research methodology, meticulously analyzing the myriad styles, colors, and fabrics employed in Jin opera costumes.
Moreover, it diligently categorizes and delves into the inherent characteristics embodied by these costumes duringJin opera performances.
By employing poignant examples as illustrative evidence, this study succinctly encapsulates the artistic attributes that hallmark Jin opera costumes.
Furthermore, it expounds upon the present state of research pertaining to Jin opera costumes, while concurrently furnishing theoretical frameworks to guide their sustainable development.
Related Results
The Application of Totem Culture Elements in the Design of Jin Opera Cultural and Creative Products
The Application of Totem Culture Elements in the Design of Jin Opera Cultural and Creative Products
Jin opera is one of the well-known local operas in China, commonly known as Shanxi opera. It is also known as Zhongluo opera because it originated in central Shanxi. Jin opera has ...
Opera House as a Category of Ukrainian Operology
Opera House as a Category of Ukrainian Operology
The aim of the article is to develop the explication of an opera house as a category of Ukrainian operology. The research methodology is based on the combination of historical, the...
Virtual simulation of Yue Opera costumes and fashion design based on Yue Opera elements
Virtual simulation of Yue Opera costumes and fashion design based on Yue Opera elements
AbstractYue Opera is known as the second most important national opera in China. The costume is an important part of the performance of Yue Opera, which carries the culture and his...
Composer’s interpretation of Guo Wenjing of Chinese traditional opera «Si Fan»
Composer’s interpretation of Guo Wenjing of Chinese traditional opera «Si Fan»
Relevance of the study. Chinese traditional opera is one of the important treasures of the world musical culture. Now there are about 360 regional varieties of this opera in China,...
Peking Opera (Beijing Opera, jingju)
Peking Opera (Beijing Opera, jingju)
Peking Opera (jingju京剧), a major genre of classical Chinese theater (xiqu戏曲), emerged in the late 18th and early 19th centuries during the Qing dynasty. As a blend of various South...
Opera Figures in Ink and Wash Scene — Analysis of Guan Liang and Han Yu’s Ink and Wash Opera Figures
Opera Figures in Ink and Wash Scene — Analysis of Guan Liang and Han Yu’s Ink and Wash Opera Figures
In the long history of records, China is a big country, has a complete set of its own cultural system, and these systems will always reveal a subtle connection. The combination of ...
The Translation and Dissemination of Chinese Opera in the English-Speaking World
The Translation and Dissemination of Chinese Opera in the English-Speaking World
This paper delves into the translation and dissemination of Chinese opera in the English - speaking world from 1919 to 1949. It examines the English translation and overseas dissem...
Ukrainian Opera Transformation in Wartime
Ukrainian Opera Transformation in Wartime
This article examines key trends in Ukrainian opera during wartime, analyzing its conceptual foundations and the search for new forms of expression through non-verbal techniques an...


