Javascript must be enabled to continue!
New Frontiers in Art Direction: João Guerra da Mata’s Contribution to Portuguese Cinema as a Case Study
View through CrossRef
João Rui Guerra da Mata stands out as a unique case as far as Portuguese cinema is concerned. He made his debut as a costume and set designer in the mid-1990s, working closely with João Pedro Rodrigues as the latter’s film career progressed. This partnership motivated Guerra da Mata to start developing his own body of work as a screenwriter, director, and editor, and he is also responsible for introducing the term “art direction” into Portuguese cinema. Taking this into account, the purpose of this chapter is to introduce Guerra da Mata’s work by way of analysis of the shots and scenes that most clearly display his art direction in action.
Edinburgh University Press
Title: New Frontiers in Art Direction: João Guerra da Mata’s Contribution to Portuguese Cinema as a Case Study
Description:
João Rui Guerra da Mata stands out as a unique case as far as Portuguese cinema is concerned.
He made his debut as a costume and set designer in the mid-1990s, working closely with João Pedro Rodrigues as the latter’s film career progressed.
This partnership motivated Guerra da Mata to start developing his own body of work as a screenwriter, director, and editor, and he is also responsible for introducing the term “art direction” into Portuguese cinema.
Taking this into account, the purpose of this chapter is to introduce Guerra da Mata’s work by way of analysis of the shots and scenes that most clearly display his art direction in action.
Related Results
Hydatid Disease of The Brain Parenchyma: A Systematic Review
Hydatid Disease of The Brain Parenchyma: A Systematic Review
Abstarct
Introduction
Isolated brain hydatid disease (BHD) is an extremely rare form of echinococcosis. A prompt and timely diagnosis is a crucial step in disease management. This ...
PENGAPLIKASIAN KERAJINAN MATA-MATA PADA BUSANA DENGAN TEKNIK PRINTING
PENGAPLIKASIAN KERAJINAN MATA-MATA PADA BUSANA DENGAN TEKNIK PRINTING
Kerajinan mata-mata merupakan ciri khas dari daerah Simeulue yang memiliki ragam motif yang unik dan warna yang khas. Namun keragaman motif, keunikan serta kekhasan dari motif mat...
Poetry of Image: Key Issues of the History and Aesthetics of Iranian Auteur Cinema
Poetry of Image: Key Issues of the History and Aesthetics of Iranian Auteur Cinema
Iranian cinema, with its 100-year history, is an integral part of the world’s spiritual and cultural heritage and cinematographic art.
Iranian cinema has a rich and diverse history...
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his ...
Interview with João Pedro Rodrigues and João Rui Guerra da Mata
Interview with João Pedro Rodrigues and João Rui Guerra da Mata
This chapter consists of an interview to João Pedro Rodrigues and João Rui Guerra da Mata. The interview evolved from a series of productive encounters that the author had with Joã...
International Law in Portuguese
International Law in Portuguese
Despite the current prevalence of English as a lingua franca in international law, many international lawyers in countries such as Portugal, Brazil, Mozambique, and Angola have wri...
O LOCAL SUBORDINADO AO GLOBAL: REFLEXOS DA GUERRA DOS LUGARES/ GUERRA FISCAL NA REGIÃO METROPOLITANA DE CAMPINAS (SP)
O LOCAL SUBORDINADO AO GLOBAL: REFLEXOS DA GUERRA DOS LUGARES/ GUERRA FISCAL NA REGIÃO METROPOLITANA DE CAMPINAS (SP)
O presente artigo tem por objetivo analisar o fenômeno da Guerra dos Lugares/ Guerra Fiscal, que se tornou prática comum no Brasil a partir do início da década de 1990 e como tal f...
Queer Metamorphoses and Displacements in the Cinema of João Pedro Rodrigues and João Rui Guerra da Mata
Queer Metamorphoses and Displacements in the Cinema of João Pedro Rodrigues and João Rui Guerra da Mata
The trope of metamorphosis, already all-pervasive in O Fantasma (Phantom, 2000), is easily detectable throughout the cinematography of João Pedro Rodrigues and João Rui Guerra da M...

