Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Origin of Icons

View through CrossRef
Abstract The origin of icons, and by extension of Christian painting, can now be traced to the panel painting tradition of pagan divinities in wide use in Late Antiquity throughout the Mediterranean. Both pagan and Christian panel paintings were employed as votive or thank offerings. According to an ancient phenomenon known as “syncretism,” emperors were identified with gods and Greek gods with Egyptian ones. Triptych paintings were a new way of exploring the implications of syncretism. In the sixth century, icons went from being single offerings to an assembly on the templon barrier. The earliest surviving evidence of church iconography, decoration and ritual cult, or liturgy, comes from Constantinople, at the churches of St. Polyeuktos and Hagia Sophia.
Title: The Origin of Icons
Description:
Abstract The origin of icons, and by extension of Christian painting, can now be traced to the panel painting tradition of pagan divinities in wide use in Late Antiquity throughout the Mediterranean.
Both pagan and Christian panel paintings were employed as votive or thank offerings.
According to an ancient phenomenon known as “syncretism,” emperors were identified with gods and Greek gods with Egyptian ones.
Triptych paintings were a new way of exploring the implications of syncretism.
In the sixth century, icons went from being single offerings to an assembly on the templon barrier.
The earliest surviving evidence of church iconography, decoration and ritual cult, or liturgy, comes from Constantinople, at the churches of St.
Polyeuktos and Hagia Sophia.

Related Results

Byzantine and Post-Byzantine Composite Icons Reconsidered: Their Past and Present-Day Role and Use
Byzantine and Post-Byzantine Composite Icons Reconsidered: Their Past and Present-Day Role and Use
Abstract: The phenomenon of adding a new, larger panel to an older work, thus creating a work of art consisting of two pieces from different periods, is well known in Western Europ...
Bronze and Copper Icons
Bronze and Copper Icons
Abstract Byzantine copper alloy icons were created by repoussé and casting. The repoussé group varies in size and were used as individual icons and decoration for li...
About the Origin of Some Sudanese Toponyms
About the Origin of Some Sudanese Toponyms
The article is devoted to the analyses of several Sudanese toponyms and historical information about their origin, which until recently was transmitted orally. The study of the fol...
Nudge and bias in subjective ratings? The role of icon sets in determining ratings of icon characteristics
Nudge and bias in subjective ratings? The role of icon sets in determining ratings of icon characteristics
AbstractSubjective ratings have been central to the evaluation of icon characteristics. The current study examined biases in ratings in relation to the context in which icons are p...
Icônes récrites. Georges Schehadé / Lorand Gaspar
Icônes récrites. Georges Schehadé / Lorand Gaspar
Rewritten Icons. Georges Schehadé/Lorand Gaspar For Ricoeur, literature is the destiny of writing separated from myth. Icons, which are, in Greek or Russian, not painted but ...
A Comparative Study of Two Albanian Post-Byzantine Icons Attributed to Simoni i Ardenices
A Comparative Study of Two Albanian Post-Byzantine Icons Attributed to Simoni i Ardenices
Aims: The present study is part of a project concerning the characterisation of a limited number of selected Albanian Byzantine and post-Byzantine icons, through the identification...
"A Dismal Swamp": Darwin, Design, and Evolution in Our Mutual Friend
"A Dismal Swamp": Darwin, Design, and Evolution in Our Mutual Friend
Our Mutual Friend, published just six years after Darwin's The Origin of Species, is structured on a Darwinian pattern. As its title hints, the novel is an account of the mutual-th...
The episteme(s) around Roma historiography: Genealogical fantasy reexamined
The episteme(s) around Roma historiography: Genealogical fantasy reexamined
Since the 18th century, scholars have been claiming that Romani people originated from India. Folkloristists, ethnographers, linguists and demographers alike have sought to identif...

Recent Results

George F. Walker Directs George F. Walker
George F. Walker Directs George F. Walker
This article is based on the observation of rehearsals for the 1987 Factory Theatre production of George F. Walker's Zastrozzi: The Master of Discipline, directed by Walker. Walker...
Paradoxes of the Russian Empress Catherine the Great's Writings for Children
Paradoxes of the Russian Empress Catherine the Great's Writings for Children
An ‘enlightened despot’ who ruled the Russian empire as an absolute autocrat despite a tenuous claim to the throne, Catherine the Great embodied innumerable paradoxes during her lo...
Annie Pootoogook
Annie Pootoogook
Annie Pootoogook, Exhibitions, 2006, Power Plant Contemporary Art Gallery @ Harbourfront Centre...
Information Resources Economy in Satellite Systems based on New Microwave Polarizers with Tunable Posts
Information Resources Economy in Satellite Systems based on New Microwave Polarizers with Tunable Posts
One of the fundamental problems of modern digital telecommunications is the economy of digital information and frequency resources, which are highly limited. The introduction of no...

Back to Top