Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Nikolai Sverchkov as an artist-animal painter, genre painter and portraitist (1817-1898)

View through CrossRef
Николай Егорович (Георгиевич) Сверчков (1817 – 1898) – один из ранних представителей реалистической жанровой живописи. В своих картинах он запечатлел природу России, с ее величественными лесами и необъятными полями, бесконечными дорогами и проселками. Н.Е. Сверчков впервые в русском искусстве развил мотив удалой «птицы-тройки», с образом которой народ связывал свои мечты о лучшей, свободной жизни. Творчество художника многообразно. Он писал не только жанровые, но и исторические и батальные полотна, занимался скульптурой. Редкого мастерства Н.Е. Сверчков достиг в изображении животных, особенно лошадей. Его дорожные сцены, картины охоты, конные портреты сыграли видную роль в истории русской живописи. Nikolai Yegorovich (Georgievich) Sverchkov (1817-1898) was one of the early representatives of the realist genre painting. In his paintings he captured the nature of Russia, with its majestic forests and vast fields, endless roads and country roads. N.E. Sverchkov for the first time in Russian art has developed the motif of daring "bird-Troika", with the image which the people placed their dreams of a better, free life. The artist's work in many ways. He did not write both genre and historical and battle paintings, studied sculpture. Rare skill N.E. Sverchkov have achieved in the depiction of animals, especially horses. His travel scenes, hunting paintings, horse portraits played a prominent role in the history of Russian painting.
Title: Nikolai Sverchkov as an artist-animal painter, genre painter and portraitist (1817-1898)
Description:
Николай Егорович (Георгиевич) Сверчков (1817 – 1898) – один из ранних представителей реалистической жанровой живописи.
В своих картинах он запечатлел природу России, с ее величественными лесами и необъятными полями, бесконечными дорогами и проселками.
Н.
Е.
 Сверчков впервые в русском искусстве развил мотив удалой «птицы-тройки», с образом которой народ связывал свои мечты о лучшей, свободной жизни.
Творчество художника многообразно.
Он писал не только жанровые, но и исторические и батальные полотна, занимался скульптурой.
Редкого мастерства Н.
Е.
 Сверчков достиг в изображении животных, особенно лошадей.
Его дорожные сцены, картины охоты, конные портреты сыграли видную роль в истории русской живописи.
Nikolai Yegorovich (Georgievich) Sverchkov (1817-1898) was one of the early representatives of the realist genre painting.
In his paintings he captured the nature of Russia, with its majestic forests and vast fields, endless roads and country roads.
N.
E.
 Sverchkov for the first time in Russian art has developed the motif of daring "bird-Troika", with the image which the people placed their dreams of a better, free life.
The artist's work in many ways.
He did not write both genre and historical and battle paintings, studied sculpture.
Rare skill N.
E.
 Sverchkov have achieved in the depiction of animals, especially horses.
His travel scenes, hunting paintings, horse portraits played a prominent role in the history of Russian painting.

Related Results

Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Violin miniature in creativity by Liudmila Shukailo: features of the genre interpretation
Background. Rapidness of information flows of contemporary life enforces to concentrate a significant amount of information in small formats. This fact meaningfully increases socia...
Animal welfare in Europe and Iran: policy perspective and society
Animal welfare in Europe and Iran: policy perspective and society
Intensive animal production systems are compromising current animal welfare standards. Societies' growing concerns regarding how animals are raised have resulted in continuous poli...
Žanrovska analiza pomorskopravnih tekstova i ostvarenje prijevodnih univerzalija u njihovim prijevodima s engleskoga jezika
Žanrovska analiza pomorskopravnih tekstova i ostvarenje prijevodnih univerzalija u njihovim prijevodima s engleskoga jezika
Genre implies formal and stylistic conventions of a particular text type, which inevitably affects the translation process. This „force of genre bias“ (Prieto Ramos, 2014) has been...
ИМПЕРАТОР НИКОЛАЙ II. ХОЗЯИН ЗЕМЛИ РУССКОЙ
ИМПЕРАТОР НИКОЛАЙ II. ХОЗЯИН ЗЕМЛИ РУССКОЙ
В статье рассматриваются основные этапы жизни и деятельности императора России Николая II, его вклад в становление и развитие Российской империи на рубеже XIX ‒ XX веков. Представл...
Specifics of the embodiment of European genre models in Chinese piano music as the basis of performance stylistics
Specifics of the embodiment of European genre models in Chinese piano music as the basis of performance stylistics
Statement of the problem. A performer who gives “new life" to a composer’s work lets the sound world of music pass through him. In this process, the genre-stylistic “inclination” o...
“SOMEONE ELSE”: THE GENRE PARADIGM OF DETECTIVES BY GUILLAUME MUSSO
“SOMEONE ELSE”: THE GENRE PARADIGM OF DETECTIVES BY GUILLAUME MUSSO
The article explores the genre paradigm of the novels by Guillaume Musso, the most popular author of unique detective novels in today’s France, which have already been translated i...
ANIMAL WELFARE VIOLATIONS AND CRUELTY RELATED ISSUES TO LIVESTOCK-A REVIEW
ANIMAL WELFARE VIOLATIONS AND CRUELTY RELATED ISSUES TO LIVESTOCK-A REVIEW
This study is aiming in reviewing papers on animal welfare and cruelty related issues. From the available literature, it appears that most countries rather tend to enact legislatio...
Nikolai Konstantinovich Mosolov is an Unwilling Historian of Namibia
Nikolai Konstantinovich Mosolov is an Unwilling Historian of Namibia
The study of the history of Namibia in Russian historiography was not sufficiently complete. Meanwhile, a significant contribution to the description of the most important pages of...

Back to Top