Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Oppenheim, Meret Elisabeth (1913–1985)

View through CrossRef
Meret Oppenheim was a Swiss artist primarily known as a maker of Surrealist objects. Born in Berlin-Charlottenburg to a German father and Swiss mother, Oppenheim spent most of her youth in Switzerland until, at the age of eighteen, she traveled to Paris to become an artist. Although enrolled at the Académie de la Grande Chaumière, Oppenheim preferred to work independently and, in 1933, her friendship with fellow Swiss artists Hans Arp and Alberto Giacometti led to an invitation to participate in the Surrealist Salon des Surindépendents. She subsequently became a part of the group focused around André Breton at the Café de la Place Blanche, continuing to exhibit with the Surrealists until returning to the family home in Basle in 1937, where she attended the School of Arts and Crafts for two years. A long period of depression and artistic crisis ensued during which Oppenheim destroyed much of her work. During the postwar period she became increasingly estranged from the remains of the Surrealist group, perceiving it as entrenched in the past. Her own solo career was belatedly developing and, with the advent of feminism, she was increasingly recognized as a role model for independent women artists. In 1975 Meret Oppenheim was the beneficiary of the Art Award of the City of Basle, and in 1982, the same year that she took part in Documenta 7 in Kassel, she was awarded the Art Prize of the City of Berlin.
Title: Oppenheim, Meret Elisabeth (1913–1985)
Description:
Meret Oppenheim was a Swiss artist primarily known as a maker of Surrealist objects.
Born in Berlin-Charlottenburg to a German father and Swiss mother, Oppenheim spent most of her youth in Switzerland until, at the age of eighteen, she traveled to Paris to become an artist.
Although enrolled at the Académie de la Grande Chaumière, Oppenheim preferred to work independently and, in 1933, her friendship with fellow Swiss artists Hans Arp and Alberto Giacometti led to an invitation to participate in the Surrealist Salon des Surindépendents.
She subsequently became a part of the group focused around André Breton at the Café de la Place Blanche, continuing to exhibit with the Surrealists until returning to the family home in Basle in 1937, where she attended the School of Arts and Crafts for two years.
A long period of depression and artistic crisis ensued during which Oppenheim destroyed much of her work.
During the postwar period she became increasingly estranged from the remains of the Surrealist group, perceiving it as entrenched in the past.
Her own solo career was belatedly developing and, with the advent of feminism, she was increasingly recognized as a role model for independent women artists.
In 1975 Meret Oppenheim was the beneficiary of the Art Award of the City of Basle, and in 1982, the same year that she took part in Documenta 7 in Kassel, she was awarded the Art Prize of the City of Berlin.

Related Results

Epic formulas in the texts of the Shor epic “Meret-oolak” / “Meret Olak with a magic horse”
Epic formulas in the texts of the Shor epic “Meret-oolak” / “Meret Olak with a magic horse”
The paper deals with two texts of the epic “Meret-oolaq” and “Meret Olak with a magic horse” (Meret sar attyg Meret Oolaq) performed by D. K. Turushpanov and transcribed by differe...
Between Spring Banquet and Cannibal Banquet: Cannibalistic Imagery in Meret Oppenheim’s Works
Between Spring Banquet and Cannibal Banquet: Cannibalistic Imagery in Meret Oppenheim’s Works
This article discusses the cannibalistic imagery in Meret Oppenheim’s works. The crucial aspect is the comparison of two versions of a seemingly similar event in which anthropophag...
MERET OPPENHEIM VE HEYKELLERİ
MERET OPPENHEIM VE HEYKELLERİ
20. yüzyıl, sanatın felsefi ve edebi yönden sorgulandığı ve kırılmaların yaşandığı bir dönem olarak tarihe geçmiştir. Meret Oppenheim bu tartışmaların içinde sanat hayatına başlamı...
Epic formulas in transcribed Shor heroic legends Meret-oolak and Meret Olak with a magic horse
Epic formulas in transcribed Shor heroic legends Meret-oolak and Meret Olak with a magic horse
В данной статье рассматриваются эпические формулы, встречающиеся в типических местах героического сказания, расшифрованного с аудиокассет разными носителями шорского языка, И. Я. А...
Audio recording of the epic and its translation: textological notes
Audio recording of the epic and its translation: textological notes
The article presents a textological analysis of the epic “Meret-oolak” performed by D. K. Turushpanov. The decod- ing of “Meret-oolak” audio recording was made by different native ...
Dissertationen
Dissertationen
Belka, WilfriedUntersuchungen zur Polyovulation beim Rind Humboldt‐Universität Berlin, 1983 (Wissenschaftsbereich Physiologie und Pathologie der Fortpflanzung landwirtschaftlicher ...
Revision of the Nearctic Haliplidae (Coleoptera)
Revision of the Nearctic Haliplidae (Coleoptera)
The Haliplidae of the Nearctic region are revised. The generic and subgeneric division as proposed by Vondel is accepted here. The subgenus Paraliaphlus Guignot, 1930 is redefined....
La création selon Meret Oppenheim
La création selon Meret Oppenheim
La production artistique de Meret Oppenheim (1913-1985) témoigne de son intérêt pour les objets naturels, pour les objets fabriqués par des humains ainsi que pour les objets manufa...

Back to Top