Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Afterword

View through CrossRef
The conclusion revisits the return of the protagonists of Stalker to the bar from the beginning of the film and utilizes this examination to conclude the analysis of the book. The conclusion briefly speculates on the deaths of the director Tarkovsky, his wife Larisa Tarkovskaya, and actor Anatoly Solonitsyn (who played the character “Writer”), from brochiral cancer and lung cancers, alleged to have been brought on by the filming of Stalker, and the conditions of a particular scene in a river in Estonia. This is a rumor that has surrounded the film’s legacy for decades and remains unsubstantiated, but is mused upon here, before the chapter’s concluded.
Liverpool University Press
Title: Afterword
Description:
The conclusion revisits the return of the protagonists of Stalker to the bar from the beginning of the film and utilizes this examination to conclude the analysis of the book.
The conclusion briefly speculates on the deaths of the director Tarkovsky, his wife Larisa Tarkovskaya, and actor Anatoly Solonitsyn (who played the character “Writer”), from brochiral cancer and lung cancers, alleged to have been brought on by the filming of Stalker, and the conditions of a particular scene in a river in Estonia.
This is a rumor that has surrounded the film’s legacy for decades and remains unsubstantiated, but is mused upon here, before the chapter’s concluded.

Related Results

Afterword: Unsettling Feminism
Afterword: Unsettling Feminism
This afterword considers The Power of the Dog and takes up the themes traversed throughout this volume in a consideration of Campion’s latest work. In Cooper’s view, the film invit...
Afterword
Afterword
The Afterword examines publications and disclosures made about the connection between A. Alvarez and Sylvia Plath since the first publication of The Alvarez Generation. Its own lo...
Afterword
Afterword
This Afterword provides an overview of Byrd scholarship in the three decades from the publication of Byrd Studies (Cambridge, 1992), to the appearance of Byrd Studies in the Twenty...
Afterword
Afterword
The afterword summarizes Zelazny’s posthumous publications while noting the falling off of academic criticism of Zelazny’s work. It also notes several signs of increased interest i...
Afterword
Afterword
This Afterword argues that the history of literary languages in the long nineteenth century is one of conflict between a desire for local authenticity and the global extension of a...
Afterword
Afterword
Afterword to the chapter Globalization and Militarism: Feminists Make the Link, 2nd ed., p. 77-98. The afterword is written exclusively for this issue of Women, Gender & Resear...
Afterword: Documenting Performance across the Medieval/Modern Frontier
Afterword: Documenting Performance across the Medieval/Modern Frontier
As an afterword to the special issue of JMEMS “Performance beyond Drama,” this essay reflects on the complex ways that premodern performances and their embodied actors are captured...
Afterword: Publishing an academic edition ofFrom Man to Man or Perhaps Only —in South Africa
Afterword: Publishing an academic edition ofFrom Man to Man or Perhaps Only —in South Africa
This afterword to the written symposium “Between ‘the lights and shadows’: Reading the new edition of Olive Schreiner’s From Man to Man or Perhaps Only —” contains an interview wit...

Back to Top