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Staging a Public Response
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In this chapter I consider Maria Mancini’s patronage of music and musicians and her organization and participation in carnival entertainments such as allegorical floats and parades. Maria Mancini had spent several years in France before moving to Rome and her patronage in Rome shows on one hand her taste for public entertainment and on the other her desire, through patronage, to rebel against the oppressive patriarchal society of Rome and respond to the critics who thought she enjoyed too much freedom. This chapter also marks the end of Maria’s stay in Rome. In 1672, after many months of declining health and fears for her life, Maria Mancini decided to escape from Rome, an oppressive relationship with her husband, and a society that never seemed to have accepted her.
Title: Staging a Public Response
Description:
In this chapter I consider Maria Mancini’s patronage of music and musicians and her organization and participation in carnival entertainments such as allegorical floats and parades.
Maria Mancini had spent several years in France before moving to Rome and her patronage in Rome shows on one hand her taste for public entertainment and on the other her desire, through patronage, to rebel against the oppressive patriarchal society of Rome and respond to the critics who thought she enjoyed too much freedom.
This chapter also marks the end of Maria’s stay in Rome.
In 1672, after many months of declining health and fears for her life, Maria Mancini decided to escape from Rome, an oppressive relationship with her husband, and a society that never seemed to have accepted her.
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