Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

The Dance of the Now—Poetics of Everyday Human Movement

View through Europeana Collections
The inspiration for this paper comes from an interest in the living movement of everyday life and from an interest in the stories of the felt sense of embodiment, subjectivity and culture. A phenomenological approach is used to get an embodied and experiential understanding of sensitive form and meaning. How are embodiment as performance of expressive form and cultural identities interwoven? How are intersubjectivity and culture performed? The living body images are analysed from an aesthetic-phenomenological perspective highlighting the living body as an inter-subjective, "vibrational" field that deepens the experiential understanding of everyday movement as performance of dynamic repertoires of existence. These become everyday events expressed as the dance of the now.
GESIS - Leibniz Institute for the Social Sciences. Library Cologne
Title: The Dance of the Now—Poetics of Everyday Human Movement
Description:
The inspiration for this paper comes from an interest in the living movement of everyday life and from an interest in the stories of the felt sense of embodiment, subjectivity and culture.
A phenomenological approach is used to get an embodied and experiential understanding of sensitive form and meaning.
How are embodiment as performance of expressive form and cultural identities interwoven? How are intersubjectivity and culture performed? The living body images are analysed from an aesthetic-phenomenological perspective highlighting the living body as an inter-subjective, "vibrational" field that deepens the experiential understanding of everyday movement as performance of dynamic repertoires of existence.
These become everyday events expressed as the dance of the now.

Related Results

Tempo in Baroque Music and Dance
Tempo in Baroque Music and Dance
Growing interest in studies on the relationship between music and movement has given rise to many paradigms and theories, including embodied approaches that provide interesting met...
Performing Water: Site-specific dance-making as liquid art
Performing Water: Site-specific dance-making as liquid art
The Remnant Dance Project, Culaccini, developed site-specific dance movement in response to the waters of the Taleggio Valley, Italy, during the Nature, Art and Habitat Residency (...
Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics
Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics
This paper criticallyevaluates how emotional and intentional movement is conceptualised and deployedin social robotics and provides an alternative by analysing contemporary robotic...
The Electric Body Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky
The Electric Body Ecstasy, Spasm and Instability in Dance: Movement Notation from Vladimir Stepanov to Vaslav Nijinsky
The relationship between the discovery and application of electricity and the human body in the 19th and 20th centuries is complex and multifaceted. Used to stimulate nervous and m...
Nudes, Swords, and the Germanic Imagination: Renditions of Germanic Sword Dance Narratives in Early Twentieth-Century Dance
Nudes, Swords, and the Germanic Imagination: Renditions of Germanic Sword Dance Narratives in Early Twentieth-Century Dance
The written history of German sword dance has seen a number of quaint twists. With the rediscovery in 1455 of a short Tacitus quote (98 C.E.) presumably proving the existence of th...
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse
Dance Lessons, Mirrors and Minuets: Martin Engelbrecht's Engraving Das Tantzen / La Danse
Martin Engelbrecht’s hand-coloured engraving Das Tantzen / La Danse c. 1730 depicts a dance lesson where the dancing master is teaching five students. The engraving is detailed and...
Special Issue: Dance in musical theatre
Special Issue: Dance in musical theatre
This special issue of Studies in Musical Theatre examines the role of dance in musical theatre from a variety of perspectives. Given the scholarly turn from textual analysis to per...
The Dancing Woman Is the Woman Who Dances into the Future: Rancière, Dance, Politics
The Dancing Woman Is the Woman Who Dances into the Future: Rancière, Dance, Politics
Abstract This article problematizes the question of ontology—and specifically embodiment—in the work of Jacques Rancière, focusing on his writing on dance in Aisthes...

Back to Top