Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics

View through CrossRef
This paper criticallyevaluates how emotional and intentional movement is conceptualised and deployedin social robotics and provides an alternative by analysing contemporary roboticartworks that deal with affective human-robot interaction (HRI). Within HRI,movement as a way of communicating emotions and intent has become a topic ofincreased interest, which has made social robotics turn to theatre and dancedue to the expertise of these fields in expressive movement. This paper willargue that social robotics’ way of using performative methods with regards toemotional movement is, nonetheless, limited and carries certainchallenges.  These challenges are grounded on the claim that socialrobotics participates in what the author calls an ‘interiority paradigm’. Thatis, movement is understood to be the expression of inner, pre-determinedstates. The 'interiority paradigm' poses several challenges to the developmentof emotional movement, with regards to unaddressed human and roboticimaginaries, an emphasis in legibility and familiarity, and a restrictiveinterior/exterior binary that limits the role of movement in an affectiveconnection. As an example of how robots could be imagined beyond this interiorityparadigm, the author proposes to turn to contemporary robotic art. Robotic art’s view on affective movement as a matter ofevocation and of performative co-creation might inspire the development ofrobots that move beyond the requirement of being mere copies of a humaninteriority.  While the intersection between robotics and the performingarts is a fruitful field of research, the author argues in this paper that theway in which movement is currently being developed through performative methodshas certain shortcomings, and that the perspective of robotic art on affectivemovement might open up a more interesting area of exploration for socialrobotics, as well as expose those aspects of theatre and dance that have beingunaddressed in robotics. 
Open Library of the Humanities
Title: Affective Movement in Robotic Art: Alternatives to the ‘Interiority Paradigm’ in Social Robotics
Description:
This paper criticallyevaluates how emotional and intentional movement is conceptualised and deployedin social robotics and provides an alternative by analysing contemporary roboticartworks that deal with affective human-robot interaction (HRI).
Within HRI,movement as a way of communicating emotions and intent has become a topic ofincreased interest, which has made social robotics turn to theatre and dancedue to the expertise of these fields in expressive movement.
This paper willargue that social robotics’ way of using performative methods with regards toemotional movement is, nonetheless, limited and carries certainchallenges.
  These challenges are grounded on the claim that socialrobotics participates in what the author calls an ‘interiority paradigm’.
Thatis, movement is understood to be the expression of inner, pre-determinedstates.
The 'interiority paradigm' poses several challenges to the developmentof emotional movement, with regards to unaddressed human and roboticimaginaries, an emphasis in legibility and familiarity, and a restrictiveinterior/exterior binary that limits the role of movement in an affectiveconnection.
 As an example of how robots could be imagined beyond this interiorityparadigm, the author proposes to turn to contemporary robotic art.
 Robotic art’s view on affective movement as a matter ofevocation and of performative co-creation might inspire the development ofrobots that move beyond the requirement of being mere copies of a humaninteriority.
  While the intersection between robotics and the performingarts is a fruitful field of research, the author argues in this paper that theway in which movement is currently being developed through performative methodshas certain shortcomings, and that the perspective of robotic art on affectivemovement might open up a more interesting area of exploration for socialrobotics, as well as expose those aspects of theatre and dance that have beingunaddressed in robotics.
 .

Related Results

Contested Interiority: Sense of Outsideness/Insideness Conveyed through Everyday Interactions with University Campus Doors
Contested Interiority: Sense of Outsideness/Insideness Conveyed through Everyday Interactions with University Campus Doors
Our sense of place in the world is mediated through our everyday interactions with both people and space (Seamon, 1985). Everydayness is one of the most profound levels and shapers...
Resonance and Atmosphere: An Affect-Theoretical Exposé
Resonance and Atmosphere: An Affect-Theoretical Exposé
Abstract This article examines the relationship between two phenomena and their respective concepts circulating in contemporary affect theory, i.e., ‘affective resonance’ and ‘affe...
Affective Equality: Love Matters
Affective Equality: Love Matters
The nurturing that produces love, care, and solidarity constitutes a discrete social system of affective relations. Affective relations are not social derivatives, subordinate to e...
In search of sex-related mediators of affective illness
In search of sex-related mediators of affective illness
AbstractSex differences in the rates of affective disorders have been recognized for decades. Studies of physiologic sex-related differences in animals and humans, however, have ge...
The Public Interior Space Within Louvre Abu Dhabi Dome: A Visual Reflection
The Public Interior Space Within Louvre Abu Dhabi Dome: A Visual Reflection
What defines an interior space? Is a traditional threshold the only building element considered as a clear component demarcating interiority from the outside environment? Could lig...
Like real friends do: Communicating on social media with Sophia the robot
Like real friends do: Communicating on social media with Sophia the robot
Human‐robot interaction (HRI) is the study focused on the relationship between humans and robots. HRI as a study combines elements from different fields such as computer science, a...
Corporeal Anachronisms: Notes on Affect, Relationality, and Power in Steampunk
Corporeal Anachronisms: Notes on Affect, Relationality, and Power in Steampunk
Steampunk is an aesthetic technological movement incorporating science fiction, art, engineering, and a vibrant 21st century Do-It-Yourself counterculture. This article explores th...
Soybots: Mobile Micro-Gardens
Soybots: Mobile Micro-Gardens
Gardens express ideas and social relations; some are sites where art and technology produce material realities, construct social narratives and visualize politics. Soybots: Mobile ...

Recent Results


Back to Top