DURABLE GOODS

ABSTRACTIn his thoughtful discussion of what makes some historical texts durable, lasting through time, Jaume Aurell arrives at the conclusion that these works show a balance between antiquarianism and presentism, and that this balance gives them a certain longevity of repute. Because, however, durability is a characteristic of the work, it seems to me problematic. Survival, rather than durability, appears to be the rubric we are discussing. It is not a characteristic of the work, any more than of a historical individual who survives a critical event like the French Revolution or the Holocaust. We identify survivors only retrospectively. A myriad of contingencies—time and chance—will obtain for any text to survive. Historiographical competition is ferocious, and worthy of study. Like Tolstoy's unhappy families, each historical text that fails to survive will have its own history. Why Gibbon and not Volney? We can adduce reasons, of course, but they are looks backward; in the late eighteenth century, no predictions were certain. Both Hayden White and Frank Ankersmit have, each in his own way, suggested the characteristics of the best histories. I believe they are mistaken, if best is to be taken to mean: most likely to survive. This is a characteristic of the ongoing reception of the work. As in an ongoing conversation, the historical work may advance the discourse, or contradict it, or change the subject. Whether it will have influence after the speaker has departed is up to those who remain and are added to the group. This rhetorical survival in the conversation is what is in question here. As such, it is profoundly historical, and not “beyond time.”