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"Grandmother" Textile
View through The Met
Cotton
Modern and Contemporary Art, Metropolitan Museum of Art New York NY, Gift of Knoll International 1985
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"not your great, great grandmother’s fairytale: page one" / "not your great, great grandmother’s fairytale: page two" / "not your great, great grandmother’s fairytale: page three," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
"not your great, great grandmother’s fairytale: page one" / "not your great, great grandmother’s fairytale: page two" / "not your great, great grandmother’s fairytale: page three," from "Lore: What We Were Told / What We Saw / What We Tell Ourselves"
Linocut and monoprint with chine collé and hand painting on embossed paper, Lore: What We Were Told | What We Saw | What We Tell Ourselves...
Epigraphic Textile
Epigraphic Textile
The design of this textile panel consists entirely of religious texts and invocations, disposed in wide horizontal bands in thuluth script, alternating with narrow bands in kufic s...
Epigraphic Textile
Epigraphic Textile
On the central section of this textile, an inscription in monumental thuluth script is repeated twelve times. The text comes from the Sura al-Fath (Victory, 48:3): “And that Allah...
Dance belt
Dance belt
362-187Hopi woven belt, faja (TK); wool; l. 239 cm., w. 9 cm.; ca. 1880.\Such belts were usually used by women to secure their dress, but on ceremonial occasions men adopted these ...
Long-sleeved tunic, printed cotton, designed by Ossie Clark for Radley, textile design by Celia Birtwell, British, 1968. Printed cotton tunic top with long sleeves and criss-cross ties at neck. Printed cotton.
Long-sleeved tunic, printed cotton, designed by Ossie Clark for Radley, textile design by Celia Birtwell, British, 1968. Printed cotton tunic top with long sleeves and criss-cross ties at neck. Printed cotton.
Long-sleeved tunic, printed cotton, designed by Ossie Clark for Radley, textile design by Celia Birtwell, British, 1968. Printed cotton tunic top with long sleeves and criss-cross ...
Cope and textile fragment of brocaded silk damask, possibly made in Italy or France, 1670-1699. Cope and textile fragment of brocaded silk damask. Woven with arabesques in stripes. The design is carried out in yellow damask, white silk twill and brocaded
Cope and textile fragment of brocaded silk damask, possibly made in Italy or France, 1670-1699. Cope and textile fragment of brocaded silk damask. Woven with arabesques in stripes. The design is carried out in yellow damask, white silk twill and brocaded
Cope and textile fragment of brocaded silk damask, possibly made in Italy or France, 1670-1699. Cope and textile fragment of brocaded silk damask. Woven with arabesques in stripes....
Fifth Ward/Delray: Two Times of Black Day by Alexander Nemerov
Fifth Ward/Delray: Two Times of Black Day by Alexander Nemerov
When Greg Edwards made a small ink drawing called The Last Supper as a gift for his grandmother, he was guided by a single idea. It was 1970, he was twenty-two years old, living in...