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Courtesan Eguchi as the Bodhisattva Fugen with a White Elephant

View through Harvard Museums
A beautiful woman clothed in a sumptuously decorated blue, white, and gold kimono stands grasping a thin staff in both hands while swirling bands of white clouds trail behind her, gather beneath her feet, and take on the form of a white elephant; beneath these ethereal figures appears an expanse of pale blue waves. The subject of this exquisite painting derives from a fifteenth-century Noh play about a courtesan believed to be a manifestation of Fugen Bosatsu (Sanskrit, Bodhisattva Samantabhadra), a Buddhist deity described in the Lotus Sutra as accompanying the Historical Buddha Shakyamuni and typically depicted in Buddhist art as holding a staff and riding a white elephant. The imagery here is perfectly complemented by a dark blue and white silk mounting painted to echo the swirling clouds and flowing waves in the painted scene. The signature and seal of artist Ogawa Haritsu (1663-1747) appears in the lower right corner of the composition.
Department of Asian Art Louis V. Ledoux Collection New York (by 1948) by descent; to his son L. Pierre Ledoux New York (1948-2001) by inheritance; to his widow Joan F. Ledoux New York (2001-2013) gift; to Harvard Art Museums 2013. Footnotes: 1. Louis V. Ledoux (1880-1948) 2. L. Pierre Ledoux (1912-2001) 3. On long term loan to Harvard Art Museums from 1981 to 2013. Harvard Art Museums/Arthur M. Sackler Museum The Louis V. Ledoux Collection; Gift of Mrs. L. Pierre Ledoux in memory of her husband
Title: Courtesan Eguchi as the Bodhisattva Fugen with a White Elephant
Description:
A beautiful woman clothed in a sumptuously decorated blue, white, and gold kimono stands grasping a thin staff in both hands while swirling bands of white clouds trail behind her, gather beneath her feet, and take on the form of a white elephant; beneath these ethereal figures appears an expanse of pale blue waves.
The subject of this exquisite painting derives from a fifteenth-century Noh play about a courtesan believed to be a manifestation of Fugen Bosatsu (Sanskrit, Bodhisattva Samantabhadra), a Buddhist deity described in the Lotus Sutra as accompanying the Historical Buddha Shakyamuni and typically depicted in Buddhist art as holding a staff and riding a white elephant.
The imagery here is perfectly complemented by a dark blue and white silk mounting painted to echo the swirling clouds and flowing waves in the painted scene.
The signature and seal of artist Ogawa Haritsu (1663-1747) appears in the lower right corner of the composition.

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