Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Commentary (both by Dante and on Dante)

View through CrossRef
Abstract The first part of this chapter aims to reconstruct the essential moments of Dante’s self-exegesis through an examination of the conditions that inspired it: a redefinition of the function of lyric, in the Vita nova; the explanation of the transmission of philosophical truths in poetic forms, in the Convivio; the original explanatory dialectic between the two planes of meaning, literal and allegorical, implemented in the Commedia. The second section of the chapter is devoted to the first commentaries on Dante’s Commedia, from the general introduction to Dante’s poem in the Epistle to Cangrande to the Esposizioni sopra la ‘Comedia’ by Giovanni Boccaccio.
Title: Commentary (both by Dante and on Dante)
Description:
Abstract The first part of this chapter aims to reconstruct the essential moments of Dante’s self-exegesis through an examination of the conditions that inspired it: a redefinition of the function of lyric, in the Vita nova; the explanation of the transmission of philosophical truths in poetic forms, in the Convivio; the original explanatory dialectic between the two planes of meaning, literal and allegorical, implemented in the Commedia.
The second section of the chapter is devoted to the first commentaries on Dante’s Commedia, from the general introduction to Dante’s poem in the Epistle to Cangrande to the Esposizioni sopra la ‘Comedia’ by Giovanni Boccaccio.

Related Results

Convegno SISD Lugano 2023
Convegno SISD Lugano 2023
Raffaele Pinto (Università di Barcellona). PRESENTAZIONE del SISD Mirco Cittadini. Dante e il mondo infero: Hillman interprete (in)consapevole della Commedia Raffaele Pinto (Un...
Reminiscenze dantesche nelle opere d'arte contemporanee ungheresi. Considerazioni sulla mostra "I nostri inferni e quello di Dante"
Reminiscenze dantesche nelle opere d'arte contemporanee ungheresi. Considerazioni sulla mostra "I nostri inferni e quello di Dante"
Il presente contributo mira a offrire un commento alle opere d'arte di quattro artisti ungheresi contemporanei – Ilona Lovas, József Szurcsik, József Baksai e József Gaál – esibite...
Dante’s Narrative in Italian Fascism and Post-Fascism: A Long-Lasting Linguistic and Critical Manipulation
Dante’s Narrative in Italian Fascism and Post-Fascism: A Long-Lasting Linguistic and Critical Manipulation
Dante Alighieri wasn’t just a poet, a philosopher, and a theologian too, as demonstrated by Franke (1996; 2021; 2023). In fact, he was also a politician (Brando, 2023). In Italy, D...
Enhancing Commentary Strategies for Guandan: A Study of LLMs in Game Commentary Generation
Enhancing Commentary Strategies for Guandan: A Study of LLMs in Game Commentary Generation
Recent advancements in large language models (LLMs) have unlocked the potential for generating high-quality game commentary. However, producing insightful and engaging commentary f...
Sebastian Schütze and Maria Antonietta Terzoli, <i>William Blake: The Drawings for Dante’s</i> Divine Comedy
Sebastian Schütze and Maria Antonietta Terzoli, <i>William Blake: The Drawings for Dante’s</i> Divine Comedy
Reproductions of the Dante watercolors were published by Albert Roe in 1953, Milton Klonsky in 1980, Corrado Gizzi in 1983, and David Bindman in 2000. Building on their work, a clo...
Starring Dante
Starring Dante
This essay offers an example of a guiding thread in my own research on and teaching of Dante’s Commedia. Specifically, I will follow a strand that leads us from Dante’s encounter w...
Dante as a Florentine lyrical author
Dante as a Florentine lyrical author
As one of the outstanding authors of medieval literature, Dante Alighieri has enjoyed seven centuries of close scholarly attention. 1 The immense success of his  Comedy has prompt...

Back to Top