Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
AESTHETICS OF ANONYMOUS ARCHITECTURE
View through CrossRef
The article examines the anonymous architecture in terms of aesthetic knowledge. A parallel between the categories of classical aesthetics - a beautiful / ugly, and the categories of architectural activity in the Vitruvian paradigm professional / anonymous is drawn. Traced the background and process of incorporating objects anonymous architecture in non-classical aesthetic field through poetization everyday life, the emergence of technical aesthetics, aesthetics and functionalism of modernism. Non-classical aesthetics characterize objects anonymous architecture using parakategory daily, physicality, thing. We present the aesthetic characteristics of the anonymous architecture using the categories developed in the traditional aesthetics of eastern cultures - wabi, sabi, sibui and eugen. A parallel between the perception of the aesthetics and simplicity of anonymity is drawn.
Title: AESTHETICS OF ANONYMOUS ARCHITECTURE
Description:
The article examines the anonymous architecture in terms of aesthetic knowledge.
A parallel between the categories of classical aesthetics - a beautiful / ugly, and the categories of architectural activity in the Vitruvian paradigm professional / anonymous is drawn.
Traced the background and process of incorporating objects anonymous architecture in non-classical aesthetic field through poetization everyday life, the emergence of technical aesthetics, aesthetics and functionalism of modernism.
Non-classical aesthetics characterize objects anonymous architecture using parakategory daily, physicality, thing.
We present the aesthetic characteristics of the anonymous architecture using the categories developed in the traditional aesthetics of eastern cultures - wabi, sabi, sibui and eugen.
A parallel between the perception of the aesthetics and simplicity of anonymity is drawn.
Related Results
The architecture of differences
The architecture of differences
Following in the footsteps of the protagonists of the Italian architectural debate is a mark of culture and proactivity. The synthesis deriving from the artistic-humanistic factors...
Chinese Environmental Aesthetics
Chinese Environmental Aesthetics
As an independent modern humanities discipline, aesthetics is an essential part of philosophy. Environmental aesthetics is the application of aesthetic theory in the field of envir...
Grammer of Grief
Grammer of Grief
This essay investigates the relationship between mourning and linguistic structure, proposing that grief produces not merely emotional disruption but a reconfiguration of grammar i...
Modern Western Ecological Aesthetics from the Perspective of Aesthetics
Modern Western Ecological Aesthetics from the Perspective of Aesthetics
Aesthetics is the study of people's perception and experience of heaven, earth and man and all things. Environment and landscape are the most important perceptual manifestation of ...
Measuring Proximity: A Post-Interpretive Diagnostic Experiment in Art Criticism A Diagnostic Lens on Ethical Witnessing in Art Criticism
Measuring Proximity: A Post-Interpretive Diagnostic Experiment in Art Criticism A Diagnostic Lens on Ethical Witnessing in Art Criticism
Contemporary art criticism often advances by way of interpretive extraction. Works are translated into meanings, themes, intentions, and arguments, which then circulate with remark...
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
Extending Post-Interpretive Criticism: Additional Diagnostic Indices for Enhanced Phenomenological Fidelity in Art Criticism
This paper extends Post-Interpretive Criticism (PIC) by introducing a second layer of diagnostic indices designed to evaluate the phenomenological fidelity of art criticism. While ...
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
An introduction to György Márkus’s aesthetics: Transformation from praxis aesthetics to theory of aesthetic modernity
György Márkus, as a leading member of the Budapest School led by György Lukács in Hungary, is closely concerned with aesthetics. His final unfinished writings in political exile in...
Przemiany estetyki
Przemiany estetyki
Metamorphosis of Aesthetics
Many aesthetic lecturers feel that the subject of their lectures is not so much aesthetics as the history of aesthetics, the aesthetic views of Plato a...